Now that NAB 2015 is out of the way lets have a serious look at what each camera manufacturer had to offer in the 4K…
Panasonic’s multi-codec AVC-ULTRA offers master-quality and/or low-bit-rate 10-bit, 4:2:2 recording in full raster HD to meet a variety of user needs from mastering to transmission.…
ARRI proudly introduces SkyPanel, a brand new line of LED fixtures. SkyPanel is a compact, ultra-bright and high-quality LED soft light that sets a new…
The Ikegami SHK-810 camera employs a single 33 million-pixel Super 35 CMOS sensor, achieving 4,000 TVL horizontal and vertical resolution. The color filter on the sensor employs a dual-green SHV color…
The Panasonic DVX-200 is striking because of its red body and superb design qualities but this is not the first time Panasonic have broken away…
Firstly if you stick to the rules you can import Sony's XAVC L footage into FCPX v10.2 via an FS7. You can't import directly into…
Delivering a shallow depth of field and a wide field of view, the DVX200 is the ideal companion camera to the company’s groundbreaking VariCam 35…
When we introduced our first Blackmagic Cinema Camera, we really designed it to be hand held, like how a DLSR is used, but its was…
With such a small Micro Cinema Camera design, we quickly realized that if we removed the built in recorder and digital film sensor cooling and…
No guessing what BlackMagic are bringing out this fine day at NAB...The BlackMagic Micro Cinema Camera with its 4.6K Super 16mm sensor...plus a more compact…