The Panasonic DVX-200 is striking because of its red body and superb design qualities but this is not the first time Panasonic have broken away from tradition, John Preston from H Preston Media reminded me of the Panasonic V3.
The V3 goes all the way back to 1986 thats 29 years ago and had 3 half inch Newvicon tubes, a signal to noise ratio of -54dB and a 1.5″ black and white viewfinder. It provided 570 lines resolution and a minimum illumination of 30 lux.
This was the bad boy of low light, John remembers selling 5 Panasonic V3’s to the local constabulary only to get all 5 back a week later because of their shocking low light capabilities.
This is probably one of Panasonic’s best looking hand held camcorders to date, I have moaned on about boring black and grey cameras for years and Panasonic have obviously listened.
How it performs is another question but with its newly-developed 4/3” large-format MOS sensor it should be good in low light and have a reasonable shallow depth of field. Remember the Panasonic HC-X1000 has a 1/2.3″ sensor so there should be a vast improvement in low light performance over the semi pro HC-X1000 in which the DVX-200 is being compared to.
Apart from its striking looks the DVX-200 should in my opinion be equal to or out perform the Panasonic GH4 in 4K mode not to mention the five-axis Hybrid Image Stabilizer and 4x correction-area Image Stabilised lens.
Having the ability to zoom from 29.5 mm ~ 384.9 mm, 4K and 28 mm ~ 365.3mm, in HD (35 mm equivalent) is a major bonus for a 4K professional camcorder.
Lets not forget the other major advantage of the DVX-200, low cost media in the form of SDXC C10 S3 cards, Transcend 64G are £25 each while the 128G is £55 which is a major advantage over Sonys XQD cards 128G = £420 !
This will be the first true 4K run and gun camcorder and I can’t wait to get my hands on one.