My son wants to produce a few video inserts during the up and coming Euro 2012 for his blog so today was the build a virtual studio in his room. Basically we have a green screen with five LED lights, four pointing at the green screen and one in front of Scott using his white door for added reflection.
I had read that FCP-10 was good at green screen but WOW…I had a perfect key without doing anything, obviously the Canon C300 with its 50Mbps, 4:2:2 and 50mm f1.4 Carl Zeiss lens helps but I was blown away with how easy it was to achieve such a fantastic key in a matter of minutes.
But I also discovered that in order to run in his iPad information I had to revert back to FCP-7 using log and capture, running the live iPad footage straight into the MacPro via the HDMI on the Matrox MX02.
Dilema time…As I have FCP-7, FCP-10 and Premiere Pro CS6 what do I choose…so for the rest of 2012 I am sticking with FCP-7 and FCP-10. I used this combination successfully with my C300 DVD, using FCP-10 for effects then re-importing back to FCP-7.
I think Adobe have shown me over the last 2 weeks that they are not as advanced in many ways as FCP-10 nor can you get the same level of 3rd party plug-ins as you can for FCPX, I left the PC many years ago and by all accounts has only grown up with Windows 7.
I may come back to Premiere Pro CS6 in the future but for now I will stick with FCP-7, FCPX and Motion 5.
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