Next week will be very interesting indeed as I am the DoP for a small film to be shot near Pitlochry, thats as much as I can tell you but I have permission to blog about the technical side of this shoot depending on a Wi-Fi connection and having the time and energy to do it.
I initially bought a Metabones speed booster but Production Gear told me that certain people were having problems using the Speed Booster with the Sony FS7 so they steered me towards the Metabones EF to E mount adapter. My Director, Rory asked me if there was anything we should hire for the shoot and since its in glorious 4K, I leaped at the chance of Canon 4K EF primes
As you can see above 6 cracking Canon 4K primes hired from ProCam who have an office in Glasgow, we also ordered 2 Rotolight Anova LED lights as well as a ton of grip and lighting accessories.
I also have my trusty Cambo pull focus with end stops, this works a dream with proper cine lenses.
My faithful RED REC button will be very useful and stops false shots or missed shots.
On the back of the FS7 will be my Small HD 502 full HD monitor though the picture is down-converted from 4K 25p to HD for monitoring purposes. My faithful Sony 9″ 740 will also come in handy for the director to view.
On Wednesday I took a trip with Rory, to recce the site high in the hills of Pitlochry. Its very exciting producing a feature with actors, crew and catering laid on, I can’t show you any rushes for copyright reasons but we will be documenting behind the scenes for you as we go along. Meantime why don’t you watch Canons explanation behind their superb 4K glass.