Having used the JVC GY-LS300 in anger I can confirm the shots are solid with very natural skin tones, the Super 35mm sensor in this camera is producing some delightful HD footage. I am at the editing stage with some extra footage still to be filmed.
The navigation of the menu system on the LS300 is one of the best and most intuitive I have come across using the joystick right where its needed…on the LCD itself, other manufacturers take note !
As you can see the JVC LS300 takes a variety of lenses from Panasonic MFT to Canon and Nikon. The Panasonic uses the cameras native MFT (Micro Four Third) mount and the Canon uses an electronic Metabones adapter. The camera has Variable Scan Mapping (VSM) allowing you to match various lenses preventing vignetting.
The Nikon is the odd one out with a manual adapter from MTF, fortunately the lens is one of the older full frame “D” lenses which has a proper aperture ring.
We used the JVC LS300 to film at a local Speedway meeting in Glasgow, recording bikes and interviews. I stuck to my Panasonic MFT lenses as the VSM (Variable Scan Mapping) would wast precious time changing from MTF to full frame, this will be explained in detail on the video review.
Although the camera performed well its not a camera I would recommend for fast action sport as there are two servo zoom lenses and both of them are only 3x.
I have not yet shot any 4K 25p footage on the LS300…that will depend on the Scottish weather.
The JVC LS300 does have a rocker switch but is limited to two Panasonic servo lenses, the 14-45 and the 45-175 both 3x zooms not practical in a professional environment. Panasonic need to bring out a 10x servo zoom lens ranging from 14-140 at f2.8, this would really boost sales of the JVC LS300.
The JVC LS300 has 3 ND filters built in 1/4, 1/16, 1/64 and clear, perfect for tricky out door shooting in sunlight fortunately for those extra bright days you also get a rear viewfinder, not the biggest but it will get you through where the LCD won’t. Low light will also be explained in detail in the video.