Pro video blog…Produced by Philip Johnston DoP/Editor

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Harnessing technology found in the flagship EOS C500, the EOS C100 Mark II boasts a powerful imaging engine which delivers outstanding performance. A Canon Super 35mm 8.3MP CMOS sensor combines with a DIGIC DV 4 processor to deliver the rich colour and wide dynamic range synonymous with Cinema EOS cameras, while a new extended ISO range of 320 to 102,400 ensures superb performance, even in extreme low light conditions. The camera also features a new image processing system which enhances performance further by reducing moiré and aliasing, resulting in sharper, clearer images.

The EOS C100 Mark II includes Canon’s pioneering Dual Pixel CMOS AF technology as standard, which enables anyone to find focus and switch easily between multiple subjects in a single shot. Canon’s Face Detection AF technology is also supported and provides further creative control through the automatic recognition and focus tracking of faces.¹

Greater creative opportunities
The EOS C100 Mark II features two recording formats to suit the needs of different productions. Dual Format recording allows operators to simultaneously capture Full HD footage in both MP4 (up to 35Mbps) and AVCHD (up to 28Mbps) variants, using frame rates of up to 60P. Alternatively users can chose to record HD and SD footage to separate SD memory cards for maximum workflow flexibility and easy sharing. This range of options further expands the world of creative opportunities offered by the EOS C100 Mark II and also makes the capture of slow and fast motion action possible.

Integrated Wi-Fi connectivity – a first for the Cinema EOS series – ensures that sharing footage from the camera is now easier than ever thanks to ability to transfer files via FTP. In situations that demand a fast turn-around, such as news or events reporting, Dual Format recording allows operators to quickly share low resolution SD files directly from the camera whilst the security of an HD copy is maintained.

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Uncompromising operation, wherever you are
Thanks to its robust, compact design, the EOS C100 Mark II is ideal for shooting in a wide range of applications, especially those involving a single shooter. Browser-based camera control via built-in Wi-Fi and support for Canon’s multi-functional RC-V100 remote control allow the camera to be positioned in locations that previously could not have been considered, enabling crews to maintain creative control even in the most awkward or obstructive situations.

The EOS C100 Mark II’s screen has been redesigned and now flips out to the side to provide greater monitoring possibilities, including allowing users to frame the shot whilst in front of the camera. A new OLED display delivers higher contrast, more vivid colours and faster response times, even in bright conditions. The camera also features an improved tiltable Electronic Viewfinder (EVF) and a larger eyecup to provide greater flexibility and accuracy during shooting. Additionally, a range of professional audio features accompany a microphone in the handle unit, while a new built-in microphone has been added to the camera body, enabling sound recording for continuity in the smallest possible camera configuration.

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EF lenses – unlimited possibilities
As part of the EOS system, the EOS C100 Mark II is immediately compatible with – and optimised for – Canon’s world-renowned range of interchangeable EF lenses and 4K EF cinema lenses, providing both the power and versatility to meet virtually any creative challenge.

EOS C100 Mark II key features:

  • 8.3MP Super 35mm CMOS sensor, ISO 102,400
  • Dual Pixel CMOS AF and Face Detection AF
  • Dual Format AVCHD/MP4 recording up to 1080/60p
  • OLED display; improved EVF
  • Built in Wi-Fi and remote control options
author

Having been working in the video business since 1988 I have amassed a great amount of knowledge of both the kit and production values over the last 30 years.

One thought on “NEW Canon C100 Mk11

  1. “…creative control through the automatic recognition and focus tracking of faces.¹”
    This Statement has the footnote “1” but without any reference or explanation. MY guess is it should refer to Canon’s restriction that “face detection” is available with STM lenses only. If so, my question is, why does face detection require STM lenses? STM lenses work faster and more silently.
    But aside this, are there any other reasons which exclude non-STEM lenses? What about all the Canon EF-lenses with USM?

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