A blast from the past, Kevin Cook an old friend from my IOV days has branched out to run his own video production company called “Video Artisan”. This is a good video review of the Tascam DR60 as it goes into great detail about it and its use with his Canon DSLR.
Kevin “I’ve just uploaded the latest instalment from Kev’s Shed which is a video review of the Tascam DR-60D audio recorder/mixer. Having already blogged about the product I was so impressed that it inspired me to turn the camera on myself and produce a video review telling you why I think Tascam have a smashing bit of kit on their hands. If you’ve got about 12 minutes to spare, and want to know how this little beauty is going to make your DSLR shooting life better, whiz down to the bottom of this blog and enjoy.
So what goes into making a video review like this?”
The making of a video review
First of all, whoever is going to present the video review must have a good understand the key features of the product. Having already swatted up on the DR-60D whilst producing the written review I pretty much knew what I wanted to say about it on video. Whilst you wouldn’t always be supporting a video review with a written piece you must allow time as a producer/presenter to gather the facts and form opinions. There’s no point in just reading out the sales brochure.
Believe it or not, I did my entire presentation in one take. This is true, but not without stumbles, passages or pure nonsense, plenty of “erms” and a couple of coughing fits. All these breaks are skilfully plastered with b-roll footage – well maybe not all the “erms”! The idea is to get it all in the can in one go but at the same time understand where the editor can cut and repair. You need to think how you can link from one feature to the next and, if you can’t, make sure your viewer knows you are moving on to something else, “Another great feature I like….”
This video review was filmed in my edit suite, which is a room measuring about 3m x 4m. That’s enough space for my camera set up (see Tech Bits below) and for me to present to camera seated about 2m from the lens. It is a little too small for a standing presentation but I have another room to do these in with a greenscreen backdrop for keying.
Technical Bits of the video review…The subject of the review
I filmed all content using my trusty old Canon 550D running ML (Magic Lantern). I could have used my 5Dmkii but wanted to show this being used on screen with the DR-60D as that’ll be my normal combination. It was mounted on my Sachtler Ace whilst the DR-60D rig was mounted on my Vinten Vision 3 (note the nice smooth rotation shot).
Lens wise I opted to use my vintage Fujinon 55mm f1.8 lens. On a 550D, with its cropped sensor, this gives an effective focal length of 83mm. I wanted to use this lens as its fast and I like its look. I wanted to create a fair bit of separation between me and the edit suite itself but at the same time didn’t want to struggle keeping myself in focus with having too shallower depth of field. I was therefore running the lens at f.4 and the camera set to 320 iso using ML’s controls. For the extreme close-up shots I used my cheap-as-chips eBay macro tube.
The only lighting was provided by my two Lishuai LED lighting panels (also available from Proactive). I’ve got a blackout screen on the edit suite window so could eliminate any natural light falling on the set and also turned off all house lighting. The LEDs were set to 3200k and placed just out of shot left and right and faded to give a little shaping to my already perfectly shaped body. I used my edit suite programme monitor as a practical back light source by getting a bright picture up on my Edius timeline.
Audio, and here’s the irony, was not recorded through the DR-60D as I wanted to have it in hand during my presentation. I didn’t have another one to use on the shoot so had to resort to attaching my Sony radio mic directly into the 550D and tweaking the levels within ML. Whilst I am used to working this way I have to say it only just emphasised just how much easier the DR-60D is going to make my audio recording in the future.
The cut and shut was done on Edius 6.5. I hope you enjoy the film. Kevin Cook http://video-artisan.com
Kev’s Shed – A review of the Tascam DR-60D by Video Artisan from Kevin Cook on Vimeo.
Great Review I have one on the way based your feedback.
Just wondering, I’m fairly new to audio wont the limiter protect any peaking not to worry about dual audio with different strength signals?
Thanks Again
HDW : Limiters are there to protect the sound from peaking but can sometimes cause a pumping action as it tries to cope with too many peaks. The DR60 has a DUAL MONO and DUAL STEREO mode which automatically provides a back-up safety track in case the initial levels where set too high and clips/peaks were encountered. The safety track can be set to record from -6dB to -12dB lower than the initial take.