When I first started looking into a new edit platform for the MAC there were 2 on offer appart from FCP-7, those were Premiere Pro and AVID.
During February 2012 CVP who were demonstrating the latest version of AVID (V6) as impressive as it was it still looked clunky compared to FCP-7 and the DVD authoring was only available on a Windows platform.
Next I decided to join the Adobe cloud for £27 a month which gives you full access to all the Adobe production suite giving me Photoshop, Premiere Pro and Encore. I had a play with Premiere but once again found it to be rather complicated and unreliable.
My last option was FCPX, when it first came out it was terrible and seemed hard to get my head round but with time and a need to have a working edit platform I stayed with FCP-7 till one fateful day…the day I loaded Lion, after Lion FCP-7 would not load so I was forced to re-try FCPX…again.
This was at version 10.0.06 so things had been updated and it seemed to respond a bit like my old FCP-7, my work schedule meant editing nothing bigger than 15 minutes so with FCPX loaded onto my Mac-Pro and a Matrox MX02 max, I was editing.
I came to a halt when a client had DV footage to edit as we all know FCPX does not entertain ingesting footage that was not shot on a card but you can import footage so my problem was how to get DV footage into my Mac. After extensive research I opted for a Black Magic Design board that would bring my HD footage via HDMI and supplied with it was Media express, a software package that allows older analogue tape based footage to be ingested then transferred to FCPX as a .mov file.
Note. Somewhere along the line Apple have changed FCPX to allow capture from DV/HDV tape decks, I never knew this so thanks to my readership for updating me on this important feature. After further investigation it seems Apple have have ignored this feature as present iMac’s do not have any firewire ports so this method of capture is redundant unless you get a BM box.
Looming over the horizon was a 2 hour educational DVD for the Scottish Government on Type One Diabetes, my Mac Pro was full of little edits and running off 24 Sata drives via 4 Sonnet eSata drive bays that were becoming very unpredictable so a solution had to be sought.
Apple came out with a new slimline 27″ iMac…
- 3.2GHz quad-core Intel Core i7
- Turbo Boost up to 3.6GHz
- 32GB memory
- 750GB SSD hard drive
- NVIDIA GeForce GTX 675MX with 2GB
We also invested in a second Thunderbolt screen, Pegasus Promise 12TB raid and a Black Magic Studio Express box…sorted. Just before starting the edit Apple updated FCPX to 10.0.07 and is now running 10.0.08.
Shortform FCPX runs as sweet as a nut and part of the reason I decided to stick with Final Cut was the vast amount of plugins that were supporting the platform, one of my number one plugins is HyColour Pro (V 1.5) from Jonathan Richards.
Depending where you are filming you inevitably get a green cast especially in factories that are lit with fluorescent lights, HyColour Pro gives you a one box option that gets rid of that cast and has been invaluable over the last month editing many interviews.
Another plugin thats top of my hit list is idustrial revolution’s X Effects 2, fly to reflect, this is a great transition and keeps my project uniform.
As one picture leaves the frame it has a blur and both pictures have a reflection, it’s a cracking effect, as ever I mainly stick with the same effect throughout the program rather than having lots of different effects making your production look amateurish.
Tomorrow I will tell you how FCPX deals with a 60m timeline plus 14 mini features all part of the same DVD-9 and Blu ray as well.