BBC Scotland staff in an all time low

Categories: Miscellaneous 6 Comments

BBC-Scot

BBC Scotland has a nack for bringing the news to it’s own front door, firstly they fire Garry Robertson for no good reason other than his face no longer fits radio. This stupid decision has enraged BBC staff who are now contemplating a walk out.

Garry-Robertson

Janet Boyle “An internal BBC survey has made ­worrying reading for top brass. Fed-up staff have told bosses they feel they are “grossly under-resourced” with claims of a culture of bullying. Staff are also believed to have decided to boycott internal appraisals, brought in by chief Ken McQuarrie, due later this year.

“There is a huge amount of shock over Gary being dumped because he has worked tirelessly, often on long shifts, for 15 years and is a very talented broadcaster.”

Morale at the BBC’s flagship offices in Glasgow is said to be at rock-bottom. Staff have questioned why big-hitters from London, such as Jim Naughtie, have been parachuted in to present programmes on Radio Scotland if budgets are tight.

One insider said: “You couldn’t make it up. They must have spent a small fortune getting these big names up and then they tell Gary they need to let him go because of cost.

“Gary is no junior member of staff. He’s presented our top current affair programme ably for years. He’s widely respected by his journalistic colleagues at the BBC in Scotland. To let him go in such an important year for Scotland is an incredibly bad move.”

JANET BOYLE   http://www.sundaypost.com

BBC-frontSunday witnessed hundreds of ordinary members of the public take part in a protest against the BBC’s coverage of the independence referendum.

Estimates put attendance of the silent protest at around 350.  However despite the protest taking place yards from the BBC’s HQ in Glasgow, the event received no coverage.

The video below contains interviews with some who attended.

For all your video production needs in Scotland, get in touch with Small Video Company Ltd

Talent Fest UK 2014

Categories: Miscellaneous 2 Comments

Talent-Fest-title

I got a phone call on Thursday afternoon asking me if I could step in and film highlights of Talent Fest UK 2014 in Glasgow city centre.

Me-&-GH4

It was a no brainor as I needed such an event to cut my teeth with the GH4, this is the GH4 with YAGH and a Ledgo ring light set up in the one area to film interviews.

Scott-PX270

Scott was in the main hall filming the show with the Panasonic PX270 on my trusty Millar carbon fibre legs and Compas 25 head. This gives you a very smooth pan just the job for a fast moving talent show.

3-cams

Shiver were also filming on Sunday, Shiver is the MediaCityUK, London and Leeds-based, factual arm of ITV Studios. They are one of the largest providers of factual and factual entertainment in the independent television sector in the whole of the UK.

Cameras

Shiver had 6 Sony cameras at this event, two PMW-500s one seen hear with a Jib hired from Pro-Cam.

PMW200

They were using a range of Sony PMW-200′s and PMW-300′s.

lady

Nothing was missed, this young camerawoman was dedicated to film the judges.

Jib

This Jib was a serious monster though personally I would have chosen a Libec Jib as there were a lot of kids and this two ton tessie would not have taken any prisoners if it had hit someone. The young chap with the folded arms was on hand to make sure the Jib was clear of any straying children.

Me-and-GH4-wider

So how did the GH4 perform, as an interview tool fantastic, the YAGH is a great addition for sound work like this and the pictures once again…stunning. I love the fact that with 2 GH4′s I had the flexibility to work fast, doing interviews in one quiet corner and catching lovely cutaways with a full range of lenses from 7mm to 200mm.

1080

Here is two frames from my day 2 interviews, double click to see the full 1920 x 1080 picture…fantastic

1080 v2

 

For all your video production needs in Scotland, get in touch with Small Video Company Ltd

3 days left to claim £295 worth of GH4 accessories

Categories: Miscellaneous 1 Comment

claim

It’s a great deal but I am aware that many of you are still awaiting stock, let alone being able to buy a GH4, I hope Panasonic take this into account and extend this period by at least another month.

purchase-2

 

My site sponsors are the first place to try for your GH4

H Preston Media  http://www.hpreston.co.uk/s?defaultSearchTextValue=Search&searchKeywords=GH4&Action=submit

Production Gear  http://www.videogear.co.uk/Cameras-/-Camcorders/DSLR-Cameras/Panasonic-DMC-GH4-Lumix-Body-Only-GH4-/prod_5414.html

For all your video production needs in Scotland, get in touch with Small Video Company Ltd

JVC showing off four 4K cameras

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JVC-4K

Rick “JVC have come out fighting with four 4K cameras heres a video produced by Rick Young at Movie Machine.
At NAB 2014 JVC showed 4 different 4K cameras. While they referred to these as concept cameras, it was also stated that some of these 4K cameras will be available later in 2014. Sounds like these concept cameras are fairly far along in terms of development – and not that far off from production.
We look forward to seeing what the JVC 4K cameras offer. At this stage, here is what we know about the 4 different models.”

Movie Machine…http://www.moviemachine.tv

For all your video production needs in Scotland, get in touch with Small Video Company Ltd

What a Weekend

Categories: Miscellaneous 1 Comment

Me-2-GH4s

Starting off with Friday at Edinburgh filming up at Calton Hill with the GH4s and then onto Princess street to film the trams.

Filming-trams

The new Edinburgh tram system will be online on the 31st of May 2014, I hope to bring you the press day with some interesting footage filmed with both GH4s for my GH4 User Review.

Art-School

At the end of my day in Edinburgh came the very sad news that the Glasgow School of Art had become victim to a fire, a school known throughout the world for its Charles Rennie Mackintosh building.

me-at-wex1

Decided to whizz down to Norwich in the county of Norfolk…370 miles from Glasgow to pick up my new Lumix 7-14mm f4 WA Zoom lens and a bargain.

Wex-store-2

7mm

This in indeed a cracking photographic shop…WEX is not just an online shop but has a  7 days a week showroom including bank holidays…A photographer’s Aladdin’s cave.

End-of-line

In the end of line bin I got this new Sony NP-F960 “L” battery for a fiver…it still sells for £164 in some internet retailers. This will power my LEDGO camera light for about 4 hours…a bargain indeed !

In between editing for a client I am filming for the GH4 User Review using my 2 GH4s one with YAGH and the other to film my PTC’s with.

For all your video production needs in Scotland, get in touch with Small Video Company Ltd

Wildlife Camera Operator Course

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wild

What is 4K? How can you get great wildlife footage from a DSLR? What does broadcast quality mean? How can you get amazing aerial shots on a budget? What do you need to take slow motion video?

Whether you are hoping for a career as a professional wildlife camera operator or want to film wildlife as a fascinating hobby, this course will arm you with the knowledge and techniques to create stunning shots and sequences. As camera technology advances apace it can be difficult to know what equipment to use (and then how to use it!), with a high tutor to student ratio, this course is unique in content and value for money.

date

The weekend introduces the latest technology and camera systems for those who may upgrade their equipment in the future or have yet to buy a camcorder. The knowledge gained will help you choose and use the right gear for your purposes and will save you wasting money on unnecessary or inappropriate technology. The Creative Camerawork element will help you improve your techniques under expert instruction.

filming

The course starts with a discussion about the latest camera technology and is then split into hands-on workshops exploring various aspects of camera use in wildlife film-making, including: wide angle, telephoto, macro, scopes, slow motion, time lapse, 3D, aerial solutions and creative techniques. It is taught by wildlife film-maker Mike Linley, Piers Warren – Principal of Wildeye, independent wildlife filmmaker Adrian Cale, Simon Beer – a video camera specialist from Production Gear Ltd.and high speed camera specialist Jonathan Jones.

The location is Whitwell Hall Country Centre in the centre of Norfolk, UK. Accommodation is shared rooms (or there are nearby bed and breakfasts/hotels if you prefer), and there will be excellent home-cooked food.

Wildeye-web

Friday: Aim to arrive by 6pm if possible

7pm – evening meal served (no problem if you arrive later)
8.30pm – introductory chat – who we are, who you are, and what we will be doing this weekend.
10pm – time to relax, chat with new friends, and watch wildlife films in the viewing lounge.

Saturday:

8am – breakfast
9am – introduction to the different types of formats and cameras suitable for wildlife filming
11am – tea break.
11.30am - Workshop 1: Macro - using special macro lenses you can get huge close-ups without having to get too close to the subject. This is also an opportunity to practise using sets and lighting techniques with some of our photogenic subjects such as leopard geckos, giant spiny stick insects, chameleons and more.
1pm – lunch
2pm – back to basics – a run through all the controls and functions of modern camcorders including a guide to photographic techniques such as white balance, exposure etc.
2.30pm - Workshop 2: New Technology - Immerse yourself in the very latest innovations changing the face of wildlife filmmaking, including hands on experiences with RED 4K cameras, Video DSLRS and learn how to use prime and zoom lenses to get the most from them.  Shoot and process 3D with compact GoPro cameras.
4pm – tea break
4.30pm – support systems (tripods, clamps, beanbags etc) and fieldcraft accessories
5pm - 
Workshop 3: Time Lapse and Scopes - using DSLRs to create amazing time lapse sequences. Plus the use of digital video microscopes.

Sunday:

8am – breakfast
9am – choosing the right equipment for the right situation – examples from recent productions
9.30am - Workshop 4: Slow motion - the use of high speed cameras for slow motion effects.
11am – tea break.
11.30am - Workshop 5: Creative Camerawork - composing shots, perfecting pans, shooting for sequences – practising techniques that will improve your footage immensely.
1pm – lunch
2pm - Workshop 6: Aerials - get hands on experience of aerial filmmaking with lightweight small unmanned aircraft – we are the only wildlife filmmaking course taking you to new heights!
3.30pm – Viewing favourite sequences from the weekend.
4pm – course ends

If you would like to book a fantastic weekend why not follow this link…

http://www.wildeye.co.uk/application.html

For all your video production needs in Scotland, get in touch with Small Video Company Ltd

Down converted 4K footage

Categories: Miscellaneous 2 Comments

4K

Alister Chapman “I kind of feel like we have been here once before. That’s probably because we have and I wrote about it first time around.

A typical video camera has a special filter in it called an optical low pass filter (OLPF). This filter deliberately reduces the contrast of fine details in the image that comes from the cameras lens and hits the sensor to prevent aliasing, jagged edges and moiré rainbow patterns. It’s a very important part of the cameras design. An HD camera will have a filter designed with a significant contrast reduction on parts of the image that approach the limits of HD resolution. So very fine HD details will be low contrast and slightly soft.

When you shoot with a 4K camera, the camera will have an OLPF that operates at 4K. So the camera captures lots of very fine, very high contrast HD information that would be filtered out by an HD OLPF. There are pro’s and con’s to this. It does mean that if you down convert from 4K or UHD to HD you will have an incredibly sharp image with lots of very fine high contrast detail. But that fine detail might cause aliasing or moiré if you are not careful.

4k-cams

The biggest issue will be with consumer or lower cost 4K cameras that add some image sharpening so that when viewed on a 4K screen the 4K footage really “pops”. When these sharpened and very crisp images are scaled down to HD the image can appear to flicker or “buzz”. This will be especially noticeable if the sharpening on the HD TV is set too high.

So what can you do? The most important thing is to include some form of anti-aliasing to the image when you down scale from 4K to HD.  You do need to use a scaling process that will perform good quality pixel blending, image re-sampling or another form of anti-aliasing. A straight re-size will result in aliasing which can appear as either flicker, moire or a combination of both. Another alternative is to apply a 2 or 3 pixel blur to the 4K footage BEFORE re-sizing the image to HD. This seems a drastic measure but is very effective and has little impact on the sharpness of the final HD image. Also make sure that the sharpening on your TV is set reasonably low.

I previously wrote about this very same subject when HD cameras were being introduced and many people were using them for SD productions. The same issues occurred then. Here are the original articles:

Getting good SD from HD Part 1.

Getting good SD from HD Part 2.

Remember to take a look in the TECH NOTES for info like this. There’s a lot of information in the XDCAM-USER archives now.”

Alister Chapman XDCAM-USER    http://www.xdcam-user.com

HDW : This is something I have not done yet with my Panasonic GH4, though I was looking forward to down converting to HD to allow me to re-frame the shot, this would mean filming at 25p which is no great hardship as 70% of my work ends up on the internet.

There is a lot to learn with 4K and a ton of pitfalls…what looks good on one monitor may look poor on another and that’s without a 4K monitor !

For all your video production needs in Scotland, get in touch with Small Video Company Ltd

TV Bay Tour 2014

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TV-Bay-web-v3

With guest speakers like Philip Bloom, Larry Jordan, Alister Chapman and Hasraf Dulull, can you afford not to attend.

TV-Bay--venues-web

For all your video production needs in Scotland, get in touch with Small Video Company Ltd

Blackmagic’s Ultra Studio 4K

Categories: Miscellaneous 1 Comment

US-4K

There are a vast array of codecs today and as an editor you can’t possibly be prepared for every eventuality mainly because every editing platform is limited as to what it accepts, FCPX 10.1.1 being a prime example. I have a Panasonic PX270 that decided to change the rules and give us fantastic pictures at 1080 50p LGop, FCPX as yet will not recognise LGop so you have one alternative to bring you footage in externally.

Having the ability to ingest any video format from 4K to SD is a great asset plus the Ultra Studio 4K (US4K) comes with Media Express that can finally import 1080 50p footage.

UltraStudio 4K has 6G-SDI, HDMI 4K, analog component video, 16 channels of SDI audio, 2 channels of balanced analog, 2 channels of unbalanced AES/EBU audio, timecode, up/down/cross conversion, reference and serial deck control.

I already had the Ultra Studio Express which I sold to a good friend so I was eager to get started with my new capture and playback device.

The US4K is a rack mounting unit so I decided to buy a LACK from IKEA which by chance takes 19″ units and a choice 0f 3 colours. There is a host of various BNC connectors on the back some of which I have never seen before and are a tad confusing.

The 2 analogue XLR outputs are for monitoring purposes but hold one dark secret…they don’t match up with the HDMI output causing a lag in the sound.

It took me till 3am last evening to sus out what was happening but the short version is as follows.

1. Analogue XLR sound… out of the US4K does not match the HDMI feed.

2. The only way to match the HDMI feed is to take a digital audio feed out your TV monitor to a sound bar with a DA input, this cures the sync problem.

Blackmagic need to update the US4K drivers to include a latency feed for the analogue sound out, then you can tweak the sound to get rid of the lag.

For all your video production needs in Scotland, get in touch with Small Video Company Ltd

Peter Sallis has not recorded a voice over for 4 years due to ill health

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Ni-Final

Very sad news indeed that veteran actor Peter Sallis (93) has not been able to record a Wallace and Gromit for over 4 years. Peter is suffering from macular degeneration which is an age-related painless eye condition that generally leads to the gradual loss of central vision but can sometimes cause a rapid reduction in vision.

Central vision is used to see what is directly in front of you. In AMD, your central vision becomes increasingly blurred, leading to symptoms such as:

 

  • difficulty reading because the text appears blurry
  • colours appearing less vibrant
  • difficulty recognising people’s faces

Peter-&-Nick

As filmmakers we are very well aware of how important our eyesight is to us and for actors like Peter who have developed and made the character of Wallace and Gromit so iconic not to be able to read his scripts any more is very sad indeed.

Wallace-Gromit-wallace-and-gromit-the-curse-of-the-were-rabbit

“Peter is not too well. It’s a big question for us, whether to keep going. We have got an understudy who has stepped in sometimes, Ben Whitehead, a young actor in London.

He actually started off doing the stuff Peter didn’t want to do, like video games, or if we needed a voice for an exhibition. He was doing some of the voices on The Curse of the Were-Rabbit and stood in for Peter sometimes.

He’s quite convincing. Some people have spotted it and have said he doesn’t really sound like him [Wallace], but he’s getting good.

Whether he will stand in eventually, I’m not sure. There’s nothing planned at the moment.”– NICK PARK

For all your video production needs in Scotland, get in touch with Small Video Company Ltd

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