Atomos and Panasonic announce 35mm full-frame RAW video over HDMI from the Lumix S1H to Ninja V

Categories: Miscellaneous No Comments

Atomos is excited to announce co-development with Panasonic of RAW over HDMI from the brand new Lumix S1H to the Atomos Ninja V 4K HDR monitor-recorder. The RAW update will be available free on the Ninja V when released by Panasonic.

“We are very proud of continuing to develop new ground-breaking technology with a company of the caliber of Panasonic. We are both highly committed to the democratisation of filmmaking for creators, and the ability to transmit RAW over HDMI from the S1H to a Ninja V is a major leap forward in this endeavour,” said Jeromy Young, Atomos CEO.

As the world’s first full-frame mirrorless camera capable of 6K internal video, the Lumix S1H combines the quality of professional cinema-grade video cameras with the size and photo capability of a mirrorless, making it the perfect companion with the Ninja V.

“The leading brand of external monitor-recorders is definitely Atomos. Both companies have a very good relationship and we have been providing 4:2:2 10bit HDMI output recording for the Lumix GH series for years. We are very proud to be developing RAW output via HDMI with Atomos for the S1H,” said Panasonic at their launch event in LA.

Added Young: “Our advancements in screen technology now allows creators to accurately monitor RAW video in real-time as it would be viewed in the home or cinema for perfect preservation of creative intent. Our pristine custom Atomos HDR screens are second to none in colour accuracy and representation of brightness from RAW signals. When combined, these advantages create a dream workflow for filmmakers.”

The new Lumix S1H will be shown working with the Ninja V at the upcoming IBC show in Amsterdam from 13 September at the RAI Hall 11.D25, more information on the combination will be available during the show.

For all your video production needs in Scotland, get in touch with Small Video Productions

Panasonic S1H is it a video camera or a stills camera ?

Categories: Miscellaneous 1 Comment

Is it a video or a stills camera and why are we getting so many variations of the same camera as the S1 was the “video version”

I have to say that the extra video features on the S1H make it very appealing and for once Panasonic has given us a tally lamp so you can see when the camera is in record mode, I do hope they bring this feature into the GH6.

The S1H is a 6K monster running at 25p (UK) with 4k 50p 10bit internal recording onto dual SD card slots. This is a welcome addition as my previously owned S1 had one SD card slot and one XQD card slot.

  • Capture 6K/24p, 25p (3:2 aspect ratio), 5.9K/90p (16:9 aspect ratio), and 10-bit 50p 4K/C4K
  • Includes an impressive 14+ stops of dynamic range
  • Features a 24.2-megapixel full-frame imaging sensor
  • Comes with V-Log/V-Gamut compatible with “VariCam” Look
  • Users can enjoy unlimited recording time in all capture modes
  • Offers Body I.S. (Image Stabiliser) for hand-held filming
  • To accommodate continuous shooting a near-silent cooling fan has been developed
  • 6K footage can be used to create high-res 4K videos or for cropping images to 4K
  • Dual-Native ISO sensitivity
  • L-Mount system has been integrated into the camera design for extra compatibility
  • The camera body has a rugged magnesium alloy design delivering high-level professional reliability
  • Dust, splash, and freeze-resistant down to -10 degrees
  • Optical Low Pass Filter (OLPF) suppresses moire
  • Incorporates large displays consisting of a rear monitor, live viewfinder as well as status LCD that offer high resolution and visibility
  • Waveform Monitor and V-Log View Assist are available
  • Users can choose from Relay Recording, Backup Recording, and Allocation Recording
  • The durable shutter can last about 400,000 cycles and features an external Fast Flash Synchro
  • Multiple customisable Fn buttons
  • Double SD memory card slot
  • Compatible with the 7.4-V 3,050mAh high-capacity battery for long recording times of up to 2 hours

I do love the newly designed swivel LCD for once a designer has remembered the HDMI port and given us an LCD that clears this port. (Please bring this design into the GH6).

At £3,599 you get a lot of camera for your money but the main thing that put me off the Panasonic S1 was the extra weight, the cost of lenses and no 4K 50p in full frame mode (Once again missing from the S1H). The biggest single item that lets this camera down is the autofocus in video mode.

Kriss from WEX has a great video on YouTube all about the new features.

For all your video production needs in Scotland, get in touch with Small Video Productions

Sigma 18-35mm f1.8 (canon fit) with Speedbooster x64 m4/3 for GH5 £650 plus postage (SOLD)

Categories: Miscellaneous 1 Comment

Selling second hand a Sigma 18-35mm f1.8 Canon fit Art lens with a Metabones Canon EF to Micro Four Thirds T Speed Booster XL 0.64x, both in full working order with original box for Sigma lens.

As usual why not email me with your offer to smallvideo@me.com, preferably bank transfer I will give you my bank details when we strike a deal.

For all your video production needs in Scotland, get in touch with Small Video Productions

New book on FCPX from Rick Young £30.99

Categories: Miscellaneous 1 Comment

The Focal Easy Guide to Final Cut Pro X3rd edition
The newly revised third edition of Rick Young’s The Focal Easy Guide to Final Cut Pro X is the ultimate mentor for getting up and running with Apple’s professional editing software, regardless of your skill level. In this step-by-step, full-color guide, Rick clearly explains the key concepts and essential knowledge needed to edit your project from start to finish, providing clear, time-saving instructions on producing and outputting using Final Cut Pro X.
This new edition includes:

  • A thorough introduction to Final Cut Pro X and the philosophy by which the software works
  • Complete coverage of the post production process, including setup, importing and organizing media, editing, audio and output
  • Additional sections on Multicam Editing, working with Proxies, effective Media Management, the Magnetic Timeline, Batch Share and Effects Production
  • New chapters, covering in detail: Roles, Color Correction and the Touch Bar
  • Instructions on encoding, distributing and archiving your completed projects
  • And an accompanying eResource featuring downloadable video footage that you can edit with using the techniques covered in the book

Packed with tutorials and real-world examples, The Focal Easy Guide to Final Cut Pro X will take you through the ins and outs of the software and have you editing and outputting your movies in no time!
Now available:

For all your video production needs in Scotland, get in touch with Small Video Productions

NASA turning black and white pictures into colour

Categories: Miscellaneous No Comments

As Spock would say “fascinating”, all Hubble pictures start out black and white and are coloured during post production. This You Tube video explains..

For all your video production needs in Scotland, get in touch with Small Video Productions

Panasonic 10-25mm f1.7 arrives

Categories: Miscellaneous 1 Comment

Finally the lens that we have been waiting for the Panasonic 10-25mm f1.7 has arrived.

I will give you a full assessment of this lens working mainly in video ASAP.

For all your video production needs in Scotland, get in touch with Small Video Productions

Hasselblad on the moon since 1969

Categories: Miscellaneous No Comments

I was only 9 years old when man first stepped on the moon and I loved everything to do with space. I had posters, books and an Airfix model of the Saturn 5 rocket and the LEM (Lunar Excursion Modul). NASA took the bold decision back in the 1960s that everything photographed in space would not be copyrighted because only a minority of people will ever get the chance to go into space and for that reason all photography was to become public domain, a great decision.

Commemorating the 50th anniversary of the historic Apollo 11 moon landing, Hasselblad proudly celebrates its role as the cameras chosen by NASA for space photography, and even more so, the cameras that documented the historical moment of the first humans on the Moon. In honour of this momentous occasion, Hasselblad launches the limited 907X Special Edition, which includes the 907X camera body and CFV II 50C digital back, both in matte black with commemorative “On the Moon Since 1969” anniversary text.

Considered one of the most iconic moments in history is the 1969 Apollo 11 mission to the Moon – an event so extraordinary that saw the first humans step off our planet and onto another celestial body. Taken down to the lunar surface, attached to astronaut Armstrong’s chest, was a silver Hasselblad Data Camera (HDC) fitted with a Zeiss Biogon 60mm ƒ/5,6 lens and 70mm film magazine which had never actually been tested in space before. A second black Hasselblad Electric Camera (HEC) with a Zeiss Planar 80mm ƒ/2,8 lens was used to shoot from inside the Eagle lunar module. A third black HEC was used by astronaut Michael Collins aboard the Command Module Columbia in lunar orbit. Standing up against the intense temperatures and lack of gravity in space, the Hasselblad cameras captured this once in a lifetime moment flawlessly, letting the rest of Earth see what astronauts Aldrin and Armstrong experienced on the Moon. The resulting images taken with the HDC and HEC have not only provided scientific insight but have proven to be legendary marvels recognized the world over. It was the HEC used by Collins that was taken back to Earth, while the HDC and HEC used on the lunar surface and lunar module were left on the Moon to meet narrow weight margins for successful return. As far as we know, they’ve been on the Moon since 1969.

Hasselblad proudly celebrates being the camera that documented the historic Moon landing with the 907X Special Edition. The limited-edition kit includes the 907X camera body and CFV II 50C digital back, both in matte black, just as the HEC that made it back to Earth. On the digital back is the text “On the Moon Since 1969”, commemorating the HDC and HEC left behind on the lunar surface fifty years ago. Together, the 907X and CFV II 50C connect Hasselblad’s photographic history into one system.

Coupling the CFV II 50C with Hasselblad’s smallest medium format camera body ever, the 907X, creates a highly compact mirrorless digital camera. This combination offers a truly distinct photographic experience, including the classic waist-level shooting style of the V System enabled by the CFV II 50C’s tilt screen. With the 907X attached to the CFV II 50C, the photographer gains access to all the high-quality XCD Lenses, providing autofocus and electronic exposure control. Coupled with the XH Adapter, all HC/HCD Lenses can be used on the 907X, along with XPan and V System Lenses in electronic shutter mode with the XPan and XV Lens Adapters, respectively. In addition, the 907X enables compatibility with a wide range of third-party adapters and lenses in electronic shutter mode.

Reminiscent of the classic V System film magazine design, the modern CFV II 50C also works as a stand-alone digital back. Compatible with most V System cameras made from 1957 and onwards, the CFV II 50C can also be used on third party technical or view cameras. Price $7500

Key features of the 907X Special Edition include:

  • Large medium format 50MP CMOS sensor
  • Up to 14 stops of dynamic range
  • Captures 16-bit RAW images and full resolution JPEGs
  • High-resolution 3.0-inch 920K dot touch and tilt screen
  • Smooth live view experience with a high frame rate of 60fps
  • Focus peaking, enabling more accurate focusing (especially advantageous on the manual-focused V System cameras)
  • Intuitive user interface with swipe and pinch touch controls
  • Internal battery slot with the option to recharge in-camera via the USB-C port (same battery used on the X System)
  • Dual UHS-II SD card slots
  • Integrated Wi-Fi and USB-C connection
  • Portable workflow with Phocus Mobile 2 support

For all your video production needs in Scotland, get in touch with Small Video Productions

New Full Frame Sony R IV 61MP

Categories: Miscellaneous 1 Comment

The race for bigger megapixels has started again with the new Sony R IV at 61MP.

  • Unprecedented Highest Resolution and Widest Dynamic Range for α – Alpha System, Combined with High-speed Performance and a Lightweight, Compact Body 
  • World’s first 35mm full-frame 61.0 MP back-illuminated Exmor R™ CMOS image sensor with latest-generation BIONZ X™ image processor
  • 15-stop dynamic range at low sensitivities, resulting in smooth, natural gradations ranging from deep shadows to highlights
  • High-speed continuous shooting at up to 10 fps with full AF / AE tracking for approximately seven seconds in full-frame mode with an increased buffer memory, and approximately three times as long in APS-C mode.
  • 567 focal-plane phase-detection AF points covering 74% of image area and 425 contrast AF points 
  • Debut of Real-time Eye AF for movie recording and advanced Real-time Tracking plus Real-time Eye AF for still image recording
  • Features an APS-C crop mode delivering stunning high resolution images of 26.2MP
  • 5.76 million dot UXGA (Ultra-XGA) OLED Tru-Finder™ electronic viewfinder with outstanding detail, brightness and contrast
  • Upgraded connectivity and operability including high-speed Wi-Fi support, wireless PC remote connectivity, FTP wireless transfer, faster data transfer via USB and more
  • Professional 4K movie recording functionality including full pixel readout with no pixel binning in Super 35mm mode, S-Log3, HDR workflow support
  • Multi Interface Shoe™ with digital audio interface delivers the high-quality sound recording with Sony’s new microphone and XLR microphone adaptor 
  • Additional enhancements to the body design include an improved grip and button layout for improved control with compact, lightweight body

Sadly it does not have a full size HDMI socket nor 4K 50p internal filming, benchmarks we have come to enjoy with Panasonic GH cameras.

For all your video production needs in Scotland, get in touch with Small Video Productions

GoPro 7 for Sale £150 plus postage (SOLD)

Categories: Miscellaneous No Comments

As you may appreciate I am no longer a fan of the GoPro range of products therefore I am selling my GoPro7 with 1 spare battery and a double battery charger (No boxes) for £150 plus special delivery.

The camera is in perfect working order so if you want a bargain send an email to me at smallvideo@me.com

For all your video production needs in Scotland, get in touch with Small Video Productions

Downloading the new Panasonic GH5 Firmware v2.5

Categories: Miscellaneous 1 Comment

The one update feature that caught my eye was the ability to produce smooth apertures, great for video work till you discover that this only applies to one lens the Panasonic 10-25mm f/1.7 LEICA DG VARIO-SUMMILUX.

  1. Improved compatibility with the Panasonic LEICA DG VARIO-SUMMILUX 10-25mm / F1.7 ASPH. (H-X1025) digital interchangeable lens.- Smooth aperture control is available during video recording.- [Aperture Ring Increment] has been added with which users can choose the control method of the aperture ring from [SMOOTH] or [1/3EV] in photo shooting.
  2. Improved compatibility with the Panasonic Remote Shutter DMW-RS2.- The video REC switch on the Remote Shutter can be disabled in the camera’s custom menu.
  3. Improved operational stability- There were cases where the headphone volume did not change in real time when [Headphone Volume] registered in “My Menu” has been changed. This bug has been fixed.

You can download the new firmware here…https://av.jpn.support.panasonic.com/support/global/cs/dsc/download/index.html

For all your video production needs in Scotland, get in touch with Small Video Productions

Pages: Prev 1 2 3 4 5 6 7 8 ... 250 251 252 Next

%d bloggers like this: