One Roving Cook needs your help…SUBSCRIBE

Categories: Miscellaneous 1 Comment

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Producing a full blown cooking show at least once a week needs your help as I am not getting paid for producing these productions. Yes JVC are down as a sponsor but no money has changed hands only some well needed kit.

All I am asking you to do is hit the SUBSCRIBE button on my YouTube channel https://www.youtube.com/channel/UCya3Qvk50frDOiOhnTddlEQ

There is also a web site to compliment the programs at http://onerovingcook.com

Most programs are made with 5-6 cameras, a wide to cut back to (Panasonic GH4R), a tighter shot for the presenters with XLR inputs (JVC LS300) with 2 RODE link mikes one on each presenter. A Panasonic GX8 for run and gun, a Panasonic GH4 tight product shot and Panasonic FZ1000 for an over head shot and a DJI OSMO for remote shots.

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Note the vast use of Panasonic micro four third cameras, this is to make sure most shots match as good as the JVC LS300.

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Coming up next week is the beautiful Rasha who shows us how to make Pizza from scratch, something I admit I have never done myself.

So hopefully by the end of the next 24 hours my SUBSCRIBER count will be a lot better than 4, thanks to my readership we are now up to 49 and climbing, thank you all. Here is my latest production with my ex boss 30 years ago, Chris Attkins who used to be a senior cameraman at STV.

For all your video production needs in Scotland, get in touch with Small Video Productions

Danny Macaskill’s “Wee day out”

Categories: Miscellaneous 1 Comment

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I interviewed Danny almost 2 years ago in 2014 about “How the ridge was filmed” a spectacular feat of biking and innovative filmaking from Cut Media the company who produce Danny’s videos.

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©Cut Media

CUT Media “Let’s set the context first, the last two major films myself and the Cut Media team worked on with Danny were Red Bull/Christie HQ’s Imaginate and then The Ridge, so setting out on the journey with the success of them and on our shoulders is a fairly daunting task.  Nevertheless earlier this year, I’m guessing Feb/March but not sure, during a few conversations Danny and Red Bull began to mention a new project, that seemed to be very quickly followed up with ‘what the hell do we do?’

Danny has covered a lot of creative ground in the past when it comes to riding edits:  amazing trials riding – check, epic backdrop’s – check, crazy height/exposure – check, unique derelict locations – check.  From my side I’m always a believer in not trying to top what has gone before, I don’t think we can even if we wanted to. The plan is just to come up with something different, creative and then execute it as well as we always do.

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©CUT Media

 

So….what could we actually do that is new?..  Well as usual it begins with a constant flow of conversation and texts with Danny and his thoughts on new riding and tricks.  It essentially always begins with Danny’s incredible talent on a bike and mindset for coming up with tricks and then builds from there.  What initially came out was his desire to ride the mountain bike and perhaps something that based around trail riding… One thing we felt we learned from The Ridge was how people responded to the barbed wire fence at the end, not just the scary trick itself but we always believed that it worked particularly well because everyone can relate to it, we have all leaned on/climbed over a fence like that so the impressiveness of the trick is multiplied by the fact that we can all fully relate to how impressive and hard it is.  So from that we came to the idea of Danny riding a mountain bike but then make it specifically relatable by basing the film around a fairly standard mtb ride somewhere…   The actual initial working title of the project was ‘Wild in the Woods’ as that was the very first thoughts around Danny’s riding ideas; Danny riding an MTB trail in the woods but interpreting obstacles, nature and surroundings in a different way.  From that point our development process took it further on though; away from just one trail and more towards being based around a fun day out in the British countryside but the beginnings were always about Danny wanting to bring some creative new tricks and our focus of wanting to make it relatable to everyone viewing the film.”

Taken from CUT Media’s blog post here if you want to read the rest of the post…http://www.cutmedia.com/the-wee-blog-about-dannys-day-out/

For all your video production needs in Scotland, get in touch with Small Video Productions

Why does You Tube not allow you to REPLACE a VIDEO as seen in Vimeo

Categories: Miscellaneous 6 Comments

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Have you ever uploaded a video, then realized you needed to make a change to it? Vimeo allows you to replace a video after it has been uploaded without losing that video’s stats. This can be very helpful if you realize you made a mistake in your video, or something like a name needs to be updated.

When you upload your video to YouTube, it cannot be changed without completely deleting the file and re-uploading. This means that you will lose all of your views and stats in the process. If you use YouTube, double and triple check spelling and content, because once you post it, you can’t fix it! I have been hoping for a long time that YouTube will activate this feature, but so far, it hasn’t happened.

Vimeo has a REPLACE THIS VIDEO button so why does You Tube not adopt the same technology ?

YOU TUBE

  • Large mix of users, don’t always get constructive comments, feedback
  • Offer free version to join and a $10/month ad free version
  • Cannot replace a video with a new version and maintain analytics, but you can trim
  • Ads everywhere!
  • Can schedule release times, unlisted & private options
  • You Tube will pay you if you MONETIZE your video once you get enough views or subscribers.

VIMEO

  • A professional community of users that offer constructive feedback
  • Free, or Paid Tiers: Plus, PRO, Business – Each have varied storage limits
  • You can replace a video without losing stats
  • No ads
  • Password protected option, plus many more
  • Vimeo has an ON DEMAND feature which allows you to post a video like a training video and customers pay to view it.

Could it be that You Tube deliberately don’t want you to update a video and lose all your stats so they don’t have to pay you, who knows I just hope the replace this video arrives sooner than later. You Tube should give you a time limit of 12-24 hours to be able to change a video that way at least you have time to change a video if you inadvertently discover a gaff in your video.

 

For all your video production needs in Scotland, get in touch with Small Video Productions

NEW Sony a6500 with NO headphone socket…AGAIN !

Categories: Miscellaneous 3 Comments

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Once again Sony update the a6300 to the a6500 and still NO HEADPHONE socket. Why are Sony missing the plot as this would have been an excellent Vloggers camera with a headphone socket.

It also sports the multi interface shoe capable of using the Sony XLR-2KM sound unit ?

The camera gains 5-axis image stabilization which continues to work in both stills and video. The system is rated as offering 5 stops of stabilization, by CIPA standard testing.

When used in conjunction with stabilized ‘OSS’ lenses, the in-lens stabilization takes over correction of the axes that is can stabilize, though Sony makes no claims for this adding to the degree of stabilization offered.

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Detailed specs of the Sony Alpha A6500

  • 24.2MP APS-C sensor (1.5x crop factor).
  • E-mount
  • 5-axis in-camera stabilization (compatible with E-mount and A-mount lenses with A mount adapter).
  • 4K up to 25p at 100Mbps
  • HD up to 120fps at 100Mbps
  • 425-point auto focusing
  • Slow & Quick frame rate control.
  • 4K and HD photo pull from video clips.
  • Touchscreen controls
  • 0.05 second auto focus speed
  • High density focus tracking
  • New buffer for faster continuous photo bursts and quicker image playback.
  • ISO range from 100-25600 (up to 51200 expanded).
  • No headphone out.
  • Menu redesign with grouped features.

Full HD and 4K 25p same as the a6300 and good in low light.

For all your video production needs in Scotland, get in touch with Small Video Productions

NEW Cinemartin 5.7″ Loyal monitor micro review

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My first full camera micro review of the CINEMARTIN 5.7″ Loyal Monitor…enjoy and here is a link to the web site  http://www.cinemartin.com/monitors/5inch/loyal/

For all your video production needs in Scotland, get in touch with Small Video Productions

EXCLUSIVE…Manfrotto update their tripod plates…badly !!!

Categories: Miscellaneous 2 Comments

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Remember the industry standard tripod plate we have been buying for the last 10 years, with a 1/4″ screw and a 3/8″ screw…well NO LONGER !!!

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Seems like the Italians have lost their 3/8″ drill bit and no longer supply new 2016 tripod plates with 3/8″ screws any more but now supply a more sexy 3/8″ tripod adapter, if you have ever used this adapter you know its a bad idea !!!

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Dear Manfrotto take it from me…HD Warrior who is a big fan of your goods…stop the rot NOW, this is such a bad idea most professional camcorders use both the 1/4″ and the 3/8″ tripod screws. Do NOT take the idea from your younger designer that we are all using DSLRs now or we may be forced to source the Chinese alternative.

For all your video production needs in Scotland, get in touch with Small Video Productions

Rotolight Anova Pro from £1000

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Rotolight Anova Pro is the ultimate LED studio/ location light designed for the most demanding of professionals. Anova Pro’s Bi-Colour LED system with AccuColour™ delivers exceptional colour rendering (CRI:96+) and powerful soft light output, making it ideal for cinematographers, videographers and photographers, whilst using 94% less energy than a standard tungsten bulb.

Anova PRO represents the pinnacle of LED technology, with five unique innovations:  CINESFX ™  Provides an powerful arsenal of Cinematographic Lighting FX (CineSFX™) for use on set or location.  HIGH SPEED SYNC FLASH provides a powerful HSS flash at 150% of the maximum continuous light output for traditional photographic workflows.   TRUE APERTURE DIMMING ™ calculates and displays the correct aperture (F-Stop) for your subject at a given distance and DESIGNER FADE ™ provides custom fade up / fade down production effects.

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Powered by V-Lock or mains power, ANOVA™ delivers a powerful output (up to 6545 Lux at 3 feet), whilst using 94% less energy than a standard tungsten bulb.  Anova Pro delivers unparalleled versatility, superior colour rendering and gorgeous soft light output and is ideal for cinematographers, videographers and photographers alike.

Available in either Bi-Colour (6300K-3150K) ‘STANDARD’ 50 beam angle, which is our recommended choice for the majority of applications to maximise the versatility of this innovative light, or fixed colour 5600K, the brightest model in the range – ideal for photographers who are concerned with maximum light output and also for those who primarily work outdoors. A special 110 ‘ULTRAWIDE’ Bi Colour model is also available (for soft-fill, or Chromakey background illumination) which naturally spreads the light over a much wider area without the need for diffusion, at a correspondingly lower illumination level.

For all your video production needs in Scotland, get in touch with Small Video Productions

HYPERLAPSE…Years in the making

Categories: Miscellaneous 1 Comment

hyperlapse

Having produced a 6 months time-lapse video myself recently… its interesting to see how someone else tackles the never-ending process of building work.

For all your video production needs in Scotland, get in touch with Small Video Productions

New rules coming to the UK for drones and model aircraft

Categories: Miscellaneous 1 Comment

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Philip Bloom “Ouch! I figured you’d want to watch this, came across my feed. New UK regulation in the pipe, but it’s “prototype” at the moment. Anything above 250 grams will be legally limited to 50m altitude and 100m distance and you’ll have to have a permission to fly and it’ll have to be registered.”

EASA’s Prototype Commision Regulation on Unmanned Aircraft Operations will destroy the European drone industry by limiting drones to 50m and 100m away from the operator in hardware! Homebuilt model aircraft and drones to be limited to 250g!

Stand up and be counted. Reply to EASA and write to your MP and MEP before the middle of October!

Link to the EASA Prototype COmmision Regulation on Unmanned Aircraft Operations: easa.europa.eu/easa-and-you/civil-drones-rpas

Email address to email EASA about this issue (before mid-October): UASPrototypeRule@easa.europa.eu (DON’T copy and paste someone elses response. It won’t count! Write your own!)

You can watch a video here https://vimeo.com/184752149

For all your video production needs in Scotland, get in touch with Small Video Productions

NEW DJI Mavic £1249

Categories: Miscellaneous 1 Comment


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The DJI Mavic Pro is a small yet powerful drone that turns the sky into your creative canvas easily and without worry, helping you make every moment an aerial moment. Its compact size hides a high degree of complexity that makes it one of DJI’s most sophisticated flying cameras ever. 24 high-performance computing cores, an all-new transmission system with a 4.3mi (7km) range, 5 vision sensors, and a 4K camera stabilized by a 3-axis mechanical gimbal, are at your command with just a push of your thumb or a tap of your finger.

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Key Features: DJI Mavic Pro Quadcopter Drone

  • Compact 
    Folded, it is just H83mm x W83mm x L198mm, and weighs only 743g
  • FlightAutonomy 
    FlightAutonomy gives the Mavic the intelligence to avoid obstacles and hover precisely. It includes 5 cameras, GPS, and GLONASS, 2 ultrasonic range fingers, redundant sensors, and 24 powerful computing cores
  • DJI Goggles 
    The DJI Goggles give you the chance to view exactly what your Mavic Pro sees, with 2 x 1080p displays at an 85° field of view. Furthermore, you can connect multiple goggles to one drone so your friends can have a look too
  • Fly for Miles, From Your Pocket 
    Inside the Mavic’s pocket-sized remote controller is DJI’s brand new OcuSync transmission technology, with a range of 4.3mi (7km) and Full HD 1080p video streaming.
  • No Bumps and Scrapes 
    An unprotected drone could hit obstacles during long distance flight or when descending from an inadequate height in Return to Home mode. The Mavic uses SkyAutonomy technology to sense obstacles up to 49ft (15m) away. It can then bypass these obstacles or brake to hover, preventing accidents even when flying beyond visual range.
  • Precision Hover 
    Satellite positioning can only help a drone hover in an unobstructed outdoor area free of interference. Without satellites, the drone will not be able to position and become susceptible to drifting. However, with forward and downward vision sensors, the Mavic can hover precisely indoors or in places without GPS.
  • Fly for Longer 
    The Mavic is only 1/6th the size of the Phantom 4 but this reduction in size doesn’t mean a reduction in flight time. The Mavic actually flies much longer than you would expect from its compact size. It is capable of reaching an absolute max flight time of 27 minutes and a maximum distance of 8mi (13km) due to its powerful, high efficiency motors.
  • 4K Ultra HD Video 
    Mavic supports 4K video at 30fps. No Electronic Image Stabilization is used, ensuring all footage is 4K. DJI have created a miniaturized, ultra-precise 3-axis gimbal for the Mavic, capable of stabilizing the camera even during high speed motion for smooth video and sharp photos.
  • Photos with Altitude 
    Whether you just want to take a snap or are building up your portfolio, the Mavic’s 12-megapixel camera with Adobe DNG RAW support is ready to shoot.

For all your video production needs in Scotland, get in touch with Small Video Productions

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