Coming up on HD Warrior during February 2017

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The Irix 15mm f2.4 Blackstone lens review on the JVC LS300 using the full Super 35mm sensor.

Rode v Sony’s UTX-PO3 transmitters a user video review coming during February 2017

Blackmagic’s Video Assist 4K micro video review

For all your video production needs in Scotland, get in touch with Small Video Productions

2nd hand kit for sale…Sony XLR-A2M £350, Camrade Wetsuit £100 and FS7 field guide £20

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Looking forward to my GH5 I am selling these items as I have no further use for them. The Sony XLR-A2M is as good as new and comes in its original box and has hardly been used, at £350 saving you over £200 on a new one.

One Camrade wetsuit for a Sony FS7, was £170 will sell for £100 plus postage (Never used)

This Sony FS7 field guide by Doug Jensen cost me £60 if you include postage from the states, its the 2nd edition which included some updated information, a great companion to any camera bag assuming you have an FS7.

Once again if you want any item send me an email to done on a first come first serve basis.

For all your video production needs in Scotland, get in touch with Small Video Productions

Cinemartin Loyal LT 7″ monitor “A stunning monitor at a stunning price of €99”

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Cinemartin Loyal are a series of profesional HDMI monitors with unrivaled features at a fantastic competitive price of just €99

Available now is the new 7″ Loyal LT series of Cinemartin monitors co-developed to bring filmmakers, shooters, drone operators a professional video monitor, with HDMI video input featuring audio monitoring, histogram and a lot of video assist tools for you to get your perfect picture.

You can see from my photograph of the screen with the colour checker how accurate the screen actually is. I am very impressed with the screen accuracy so much so I did not need my £2,500 Sony 740 monitor on this shoot. For outdoor shoots the 7″ Loyal LT comes with a handy screen hood.

Cameras like the Lumix GH4 need monitoring in my opinion and the Loyal LT 7″ is just the job. It has a 12v input which I am using today as I prefer not to use battery unless I am outside and a Sony “L” plate on the back of the monitor.

The 7″ Loyal monitor feature a native 1920 x 1080 resolution, up to 16.7 million colours and 600 NIT’s (cd/m2) of luminance with a host of video assist features, unlike the 5.7″ this version does not come with SDI in and out which is not necessary if all you are using is a DSLR or in my case a DSLM, a stunning monitor at a stunning price. Please note the hood, battery slot and arm are €50 extra.

Why not have a look at Cinemartin’s web site …

Loyal LT 7 Monitor from Philip Johnston on Vimeo.

For all your video production needs in Scotland, get in touch with Small Video Productions

Panasonic GH5…”Two of the most confusing parts of the new GH5″ No crop factor and new SDXC cards at 400Mbps

Categories: Miscellaneous 5 Comments

Panasonic are boasting “No crop factor” on the new GH5 but this is leading to major confusion. With the new GH5, it seems that we have the ability to now use the full width of the sensor as seen above while this was not possible on the GH4 giving a slight crop which is more noticeable using wide angle lenses also causing noticeable sensor noise.  Because you are not cutting into the GH5 sensor it is less noisy compared to the GH4 by almost a stop, so like most of us I would refrain going above 800 ISO on the GH4 you can push the boat out to at least 1600 ISO on the GH5.

IMPORTANT…The micro 4/3 crop remains the same on the GH5 which is two times if comparing it to a 35mm full frame sensor.

During summer of 2017 we are getting a new firmware, upgrading the camera from 4K 150Mbps to 400Mbps (Switchable via the cameras menu) using the new V60 SD card association protocol (60Mbps). 4K up till now required a card to have a U3 rating with a 64G card costing about £23 but until Panasonic can give end users clarity on exactly what cards will cover the new speed of 400Mbps we are in the dark.

For all your video production needs in Scotland, get in touch with Small Video Productions

Lily No More…End of the line with no drone

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It all started on the 15th of May 2015 when Lily decided to produce a drone for $500, but even back then Simon Beer had reservations which I printed on my blog. Fortunately for me I bailed out 6 months ago with a full refund. Just goes to show how the British pound has lost against the dollar since last year. Last year I was getting £330 for my $500 and today it would be £407. Lets be honest with the DJI Mavic and the Karma this drone did not stand a chance.

The Adventure Comes to an End

Dear Lily community,

Antoine and Henry here from the Lily team. When Lily set out on the journey to create a flying camera over 3 years ago, we were determined to develop and deliver a product that would exceed your expectations.

In the past year, the Lily family has had many ups and downs. We have been delighted by the steady advancements in the quality of our product and have received great feedback from our Beta program. At the same time, we have been racing against a clock of ever-diminishing funds. Over the past few months, we have tried to secure financing in order to unlock our manufacturing line and ship our first units – but have been unable to do this. As a result, we are deeply saddened to say that we are planning to wind down the company and offer refunds to customers (details below).

We want to thank you for sticking with us and believing in us during this time. Our community was the drive that kept us going even as circumstances became more and more difficult. Your encouraging words through our forums and in your emails gave us hope and the energy we needed to keep fighting.

Before we sign off, we want to thank all the people who have worked at Lily, who have partnered with us, and who have invested in us. Thank you for giving your all, nights, weekends and holidays, in the effort to deliver a great product.

After so much hard work, we are sad to see this adventure come to an end. We are very sorry and disappointed that we will not be able to deliver your flying camera, and are incredibly grateful for your support as a pre-order customer. Thank you for believing in our vision and giving us the opportunity to get this far. We hope our contribution will help pave the way for the exciting future of our industry.

Antoine and Henry
Lily Founders

For all your video production needs in Scotland, get in touch with Small Video Productions

Rumour site gets Panasonic DVX200 owners excited over 8bit upgrade to 10bit…NOT HAPPENING.

Categories: Miscellaneous 6 Comments

Sorry chaps but having spoken to Panasonic Broadcast today they are adamant that the DVX200 is not going to get any 10bit upgrade, they don’t have nearly enough staff to start swapping boards out of the DVX200. Please remember the GH5 is already 10bit which will be fully enabled with a firmware upgrade.

From 4/3 Rumours….Source A: A source at Panasonic has told me they are looking at upgrading the DVX200 to include 10bit recording. This may involve a paid return and upgrade program, it hasn’t  been decided yet. They are unsure if the internal boards and processor will need to be changed to allow this. Either way my source thinks an upgrade is very likley on the DVX200 as the GH5 is currently a lower priced camera with higher specs.

Source B: Two of my friends at CES heard from a Panasonic rep that the DVX200 is to get 10bit 4K internal recording, the rep did not say when or if it would be a new model or a paid upgrade, or any more details. Just that it would be available around the same time as it was for the GH5.

Barry Green Replies on DVX-USER..

Of course not. Anything you ever read on those rumor sites is made-up hogwash. They’re about as accurate as a blind man on a shooting range, after he’s had a few drinks and his buddies have spun him around a few times to get him dizzy. You will never hear actual company news “leaked” to some rumor site. A multi-billion-dollar communications company issues press releases, it doesn’t “leak” insider info to some “rumor” site. I mean, think about it — that just isn’t how a major organization communicates with its customers!

Instead of the “FT” in their rumor name meaning “Four Thirds”, I find it more accurate to call them “Full of Turds”.

If there is any shred of a grain of a molecule of an atom of a quark of a string of truth to this whatsoever, it probably came about by some rumormonger asking some salesman “will you upgrade the DVX200 to 10-bit recording”, and whoever they asked said “well, I don’t think so, I mean, the hardware doesn’t allow it, they only way they could do that is you’d have to actually send the camera back to the factory and they’d have to install some different hardware and I’m sure that would cost a lot.” So the rumormonger took that and said “good news! The factory is going to upgrade the DVX200 to 10-bit!!!!” This is nothing more than the “fake news” being decried worldwide. They’re engaged in a race for headlines, and they don’t care about accuracy.

Philip Johnston got it right.

And reading those rumor sites is about as productive as jamming needles under your fingernails. Might be more fun, but ultimately it’s about equivalent in value for time spent.


For all your video production needs in Scotland, get in touch with Small Video Productions

Behind the Scenes with a Hasselblad H60D

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© Salis Chong

Sometimes its all about the pictures and this in my opinion has some fantastic photography, well worth a watch.

For all your video production needs in Scotland, get in touch with Small Video Productions

Dell introduce a new 8K monitor at CES $5000

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Dell 8K monitor

Wow an 8K monitor, now that tells its own story about 2017. Looks like we are marching into 8K before 4K has been fully implemented. We have already seen cameras with 8K like this Canon camera. Dell just revealed a world’s first at CES: a 32-inch 8K monitor with 33.2MP worth of resolution and 100% coverage of both sRGB and AdobeRGB.

Cutting into an 8K picture on HD would be mind blowing, not to mention the digital zoom ratio you could achieve. The problem is affordability, we have already been told that Panasonic’s 8K timeline takes us to 2020, goodness knows how much an 8K GH8 will cost.

For all your video production needs in Scotland, get in touch with Small Video Productions

Panasonic update 4 lenses for video use

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12-35 f2.8

The Renewal of LUMIX G Lenses Offer Higher Performance and Image Quality

LUMIX G X VARIO 12-35mm / F2.8 II ASPH. / POWER O.I.S.(H-HSA12035)

LUMIX G X VARIO 12-35mm / F2.8 II ASPH. / POWER O.I.S.(H-HSA12035)


LUMIX G X VARIO 35-100mm / F2.8 II / POWER O.I.S.(H-HSA35100)

LUMIX G VARIO 45-200mm / F4.0-5.6 II

The LUMIX G VARIO 45-200mm / F4.0-5.6 II / POWER O.I.S. (H-FSA45200) and LUMIX G VARIO 100-300mm / F4.0-5.6 II / POWER O.I.S. (H-FSA100300) boast dust/splash-proof durability. A total of nine lenses in the full LUMIX G lens lineup now feature a rugged design to withstand use under harsh conditions.

LUMIX G VARIO 100-300mm / F4.0-5.6 II

LUMIX G VARIO 100-300mm / F4.0-5.6 II / POWER O.I.S. (H-FSA100300)

Panasonic is renewing four LUMIX G digital interchangeable lenses to gain higher performance and mobility: the LUMIX G X VARIO 12-35mm / F2.8 II ASPH. / POWER O.I.S. (H-HSA12035), LUMIX G X VARIO 35-100mm / F2.8 II / POWER O.I.S. (H-HSA35100), LUMIX G VARIO 45-200mm / F4.0-5.6 II / POWER O.I.S. (H-FSA45200) and LUMIX G VARIO 100-300mm / F4.0-5.6 II / POWER O.I.S. (H-FSA100300).

All of these new lenses comply with the advanced functions of the latest LUMIX G digital cameras.

In addition to the POWER O.I.S. (Optical Image Stabilizer) in each lens, they work with Dual I.S. (Image Stabilizer)5-axis Dual I.S, and 5-axis Dual I.S.2 system when mounted on an applicable Panasonic LUMIX GH5 camera.

Notably, the new lenses excel in video recording performance. In addition to the silent operation achieved by the inner focus drive system, the micro-step drive system in the aperture control section helps the camera to smoothly capture the brightness changes when zooming or panning. The AF tracking performance when zooming is also improved thanks to high-speed frame analysis for focus control.

These lenses are designed to match LUMIX G DSLM cameras like the new GH5.

For all your video production needs in Scotland, get in touch with Small Video Productions

New Panasonic 12-60mm f2.8-f4 Leica lens (Late March $999)

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12-60mm f2.8-f4

The first of a new breed of lenses from Panasonic. The Leica DG Vario-Elmarit 12-60mm F2.8-4 lens was first shown at Photokina 2016, and has made its official debut at CES 2017. The first of the Leica DG Vario-Elmarit F2.8-4 series to reach market, this premium lens is equivalent to 24-120mm (35mm) on a Micro Four Thirds cameras and supports Panasonic’s Dual IS system for enhanced shake reduction on compatible bodies.

12-60mm f2.8-f4

Panasonic is proud to introduce a new standard zoom digital interchangeable lens, the LEICA DG VARIO-ELMARIT 12-60mm / F2.8-4.0 ASPH. / POWER O.I.S. (35mm camera equivalent: 24-120mm) as the first lens to be introduced from its LEICA DG VARIO-ELMARIT F2.8-4.0 Series.

Covering a focusing distance from ultra-wide angle to super telephoto, this new LEICA DG VARIO-ELMARIT F2.8-4.0 Series achieves exceptionally high descriptiveness for both photo and video recording, and yet its size is kept compact. All of the lenses in this series feature a 9-blade diaphragm to give the aperture a rounded shape that produces an attractively smooth effect in out-of-focus areas when shooting at larger aperture settings. All lenses also take advantage of Panasonic’s Nano Surface Coating technology to minimize ghosts and flaring. They boast a rugged, dust/splash-proof design and are even freeze-proof down to -10℃ to withstand professional use under harsh conditions. The high-quality video recording capability is also one of the advantages of this lens series.

The new LEICA DG VARIO-ELMARIT 12-60mm / F2.8-4.0 ASPH. / POWER O.I.S. offers a versatile 5x zoom range of 24-120mm. It fully covers a variety of daily shooting situations, from dynamic landscapes to portraits even in low-lit situations, providing a beautiful defocus effect by taking advantage of the F2.8-4.0 high-speed performance.

This will be a perfect partner for the new GH5 and finally a good standard lens equivalent to a 24-120mm (35mm).


For all your video production needs in Scotland, get in touch with Small Video Productions

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