F3 v AF101…”Head to Head”

Categories: Miscellaneous 1 Comment

My Sony F3 arrived today from H Preston Media only for review may I add, not to keep and with it came Sony’s 3 prime lenses the 35mm T2, 50mm T2 and 85mm T2. It feels like a Desperate Dan oversized handheld camcorder.

Two things became apparent while looking over the camera today and by chance I had an expert on hand, Mike Lippmann from Miller Camera Support, I took the camera plate of the AF101 which has 2 tripod holes a 1/4″ and a 3/8″ which is industry standard in bigger professional shoulder mount camcorders.

We were very surprised to find the F3 a substantially bigger heavier camera did not have the statutory two different size tripod holes but the less sturdy 1/4″ screw holes ? Personally I am not a fan of mounting anything that can’t be held in place without two tripod screws.

Also it became apparent that Sony had left off a focus hook which is standard in their 700 series of camcorders, once again a second omission although won’t cause you to lose sleep over is surprising considering the camera is marketed as a film camera.

Apart from a review I am hoping to have a head to head with the Panasonic AF101 especially in the low light department and it will be interesting to see if the camera suffers the same 8bit banding problems that the Panasonic suffers from.

For all your video production needs in Scotland, get in touch with Small Video Productions

Sony MC-50 file problem

Categories: Miscellaneous 2 Comments

While filming yesterday I got back to base to discover a problem that I had seen once before last year. My Sony MC-50 which is weeks old had decided not to offer me the first 4 shots that you can see clearly as thumbnails but will not play back.

You are presented with this screen when you try to choose any of the 4 thumbnails to play back, as I have said this very same scenario happened to me last year with a different MC-50 while filming on Arran.

My ex boss Jan had her 60th birthday party and once again the first 4 files were not available for playback once recorded, you are left with 2 possible causes…

1. The cameras filing system

2. The SDHC card

All I can add to the mystery is that the cards were indeed Genuine Transend 16G but one was a class 6 and the most recent a class 10, it seems most unlikely that 2 cards used 6 months apart would cause the exact same problem…in my opinion.

Both cameras were the exact same type, an MC-50 but not the same camera, one was demo stock and the other I now own and bought from new.

I tried to recover the files without much success but it does leave a bad taste in my mouth about using the MC-50 as a front line professional tool, the camera is fine otherwise and records onto the same SDHC card with no hitches.

As a further investigation the first 4 recorded files do not exist assuming the the counter starts at 00000.

CONCLUSION : Sony read this blog so I hope we can get an answer to this annoying problem, if I could at least recover the 4 files then this would not be as problematic nor cause anxiety for all MC-50 users. I think it would be prudent for all Sony MC-50 users to check the first few shots as you film them to be on the safe side and keep a random check throughout a days filming.

UPDATE : Having a further look their is some kind of repair under Media Management but I tried this with no success, secondly the thumbnails are produced with the first thing you film, that only proves that you filmed something but does not give any indication as to how long you were filming for.

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Kipon adapter now failing after 3 months !

Categories: Miscellaneous 1 Comment

I was filming today with my new Sanyang 85mm f1.4 lens using the Kipon adapter when I noticed a movement in shot that I was not expecting, on closer inspection it was found that the Kipon adapter is now failing.

I had been warned that this relatively cheap adapter would begin to cause problems but in less than three months of very light use is not commendable.

What happens is that the lens you are using has a rocking movement in other words you can physically move the lens up and down which should not happen. I accept that this was always a stop gap till the Birger EOS mount becomes available but a tad worrying.

I must admit to putting my 70-200mm f2.8 Canon lens on the adapter which will certainly have not helped though thats only been less than 5 times and the lens was supported.

My advice if you have the Kipon adapter is not to put any large heavy lens on this adapter and to use it sparingly.

For all your video production needs in Scotland, get in touch with Small Video Productions

Electronic Canon adapter for AF101 to be with us after NAB 2011

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Interestingly I had a conversation with Erik Widding (above) from Birger Engineering who are developing the electronic Canon adapter for the AF101/100 cameras and it looks like shipping after NAB 2011.

Other great revelations from a 50min Vimeo video is that Birger are working on an electronic Canon adapter for the following camcorders :

The Sony PMW-F3

Arri Alexa

Sony NXCAM due April-May 2011

Zoom motor for SLR lenses only

These are fantastic additions to a long line of large sensor camcorders and just in time as only today I had a phone call from my good friend Tony who discovered one of the few Canon L lenses that wont work with the AF101 as it stands the Canon 85mm f1.2 L USM lens. It needs power from the camera to run the focus motor.

For all your video production needs in Scotland, get in touch with Small Video Productions

Samyang 85mm F1.4 manual lens…FANTASTIC for the price !

Categories: Miscellaneous 2 Comments

I thought this lens was arriving next week when out of the blue it arrived today and for £160 including Registered Delivery it’s a cracking lens. I have tested it out on the AF101 using the Kippon EOS adapter and what can I say…it blew me away.

This is a picture in my kitchen of my dear wife Susan and look at that shallow depth of field now  there must be a drawback I hear you say well the main drawback is the minimum focus which sits at one meter.

The picture it produces without any sharpening I may add are unreal for a lens of this price and don’t kid yourself it’s well made.

The company have already announced this 7.5mm f3.5 WA lens with a mFT mount which will be a great WA prime for the AF101…FANTASTIC. I would have no qualms about recommending the 85mm lens for the AF101 bearing in mind the one meter minimum focus restriction. I will be putting it to the test using it with the AF101 this Friday.

For all your video production needs in Scotland, get in touch with Small Video Productions

Sony to reveal 8K camera at NAB 2011

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The bar has been raised again. Sony is planning to show the prototype of a new >4K motion picture camera at NAB 2011. This could be historic.
We’re an hour southwest of Tokyo at Sony’s Tech Center in Atsugi. No pictures allowed, but we spent time with the development team and executives involved in this latest addition to the Sony CineAlta product line. It doesn’t have a name yet, but instead of calling it the Next CineAlta Camera, let’s give it the working title of Cine Altissima. She is not a mere 4K motion picture camera. Behind the PL mount, there’s an 8K sensor: 8768 x 2324 pixel single CMOS sensor (that’s 20.4 Megapixels) — Super35 3-perf size, 16-bit RAW output, 16:8:8.

Altissima covers a wider color space than any other digital camera, and will include ACES Film Emulation.
In normal mode, the new Sony 4K camera will shoot from 1-72 fps. In HFR (High Frame Rate) mode, she’ll go from 1-120 fps.
A 1 TB Memory Card recording at 24 fps will store about an hour of “footage.” A dockable SR Memory Card Recorder can attach to the camera for recording directly to an SR Memory Card of 256 MB, 512 MB or 1 TB. I imagine that other recording options will become available, both onboard as an accessory digital “magazine,” and tethered by cable in a separate case. Debayering for instant viewing or playback will be available with external real time hardware.

Altissima has the familiar look, in prototype form, of a high end motion picture camera: hints of F35, Arricam Studio or Panaflex Millenium. Power will be dual 12 volt; consumption is expected to be less than a Sony F35.
What does the image look like? The pictures from the prototype, on a large 4K monitor, were stunning. Rich blacks, incredible detail, superbly sharp. I’m guessing the native ISO sensitivity is around 800-1000 — just quick speculation in a dark test room and a tabletop set.

I think what makes this new camera possible is the fact that Sony manufactures the five secret sauces essential to practical 4K: sensor, storage, software, station, and screening. Sony makes the 8K sensor that subsamples to 4K. That’s a significant amount of headroom; higher resolution from this sensor might be seen in the future. Storage: Sony makes the SR Memory Cards–they have an impressive 5 Gbps sustained data rate. Station: Data from the SR Memory Card is downloaded, cloned, and copied via Sony’s SRW-5800/2 deck. Software: Sony announced that Avid, Final Cut Pro and other major editing systems will handle all this. Finally, Sony’s 4K digital projectors have been installed in more than 7500 theaters worldwide.

Sony’s new Cine Altissima camera has the potential to be the big breakthrough into practical 4K production. This isn’t the trickle of traditional workflow. This is the floodgates opening. Jon Fauer

For all your video production needs in Scotland, get in touch with Small Video Productions

Sony PMW-F3 firmware upgrade announced

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Sony recently let us know about a software upgrade for the PMW-F3. This addition adds many features to the F3, including several key features for getting the most out of the camera. The firmware upgrade product code from Sony is CBK-RGB01 and, once purchased, the firmware can be installed at any Sony Pro dealership, or by a tech savvy owner. It enables S-Log gamma mode, Dual Link 444RGB video output, 3G-SDI output, four pre-loaded LUTs (look up tables), and five custom user LUTs.

What does this all mean? This firmware allows the F3 to output full RGB video in S-Log – in other words, it opens up the true potential of this camera. S-Log ups the dynamic range of the camera to 800%, and effectively increases the ISO to 1600. Dual-Link SDI or 3G-SDI (dual-link on one cable) gives you full RGB444, and the LUTs allow you to monitor video normally while shooting in S-Log. Finally, the five custom LUT options mean that users can create their own looks in the same manner. The firmware will be available this summer for a list price of $3,300.

Thanks to Andy Shipsides for this info  http://blog.abelcine.com/2011/03/02/sonys-new-firmware-upgrade-for-the-pmw-f3/

For all your video production needs in Scotland, get in touch with Small Video Productions

Panasonic AF101 Firmware update v1.15

Categories: Miscellaneous 1 Comment

I was a bit slow on the uptake on this one but my good friend Richard Payne pointed me in the right direction, Panasonic have updated the firmware on the AF101 and have done the following improvements :

Here are a couple of tips…

1. You can not do anything till you run the camera from the mains.

2. Mac users need to install a patch which gets rid of a duplicated file, Panasonic provide the patch.

3. Your LCD will go blank for about 2mins then a message will appear “UPDATING SYSTEM PLEASE WAIT” this will continue for about 8-10mins then your LCD will return to normal.



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Samyang 35mm f1.4 AS UMC lens €379 with mFT mount

Categories: Miscellaneous 1 Comment

Samyang has modified the design of the Samyang 35mm f/1.4 AS UMC lens by adding a DOF scale at the request of photographers. Originally announced on 16 September 2010, this ultra-fast moderate wide-angle manual-focus lens has also seen a reduction in size, Samyang says. Available in Canon, Four Thirds, Nikon, Pentax, Samsung NX and Sony Alpha fit, the lens is priced at €379 including taxes.
HDW : I do not know this company nor the quality of the glass but here are some very encouraging words from a photographer who tested the 85mm lens against a Nikon 85mm lens.
Final words
Some of you are probably thinking that the 1200€ Nikkor is way ahead and is the better lens. Yes, in some ways I agree, but when you take into consideration the prices then value becomes an important issue, especially since the optical performance of both lenses are so close and the price differences so great. I mean is an extra 800€ really worth it for lens that performs only slightly better optically and offers AF? Not to mention its inability to be focused manually! 

So the Samyang has to be the best bargain going around on the net at the moment. If you are a wedding or portrait photographer on a tight budget or just starting out, then you can’t go wrong with the Samyang AE 85mm f/1.4 lens. For 300€ you get a well built manual focusing portrait lens that performs similarly to the legendary AF Nikkor 85mm f/1.4D.     John Caz Photography


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Canon 7D user finds “haunting fault” with his AF100 (USA)

Categories: Miscellaneous 1 Comment

Why am I not surprised that a Canon 7D user who has been used to “perfect video footage” using his 7D now pulling down the performance of the AF100. This blog is a joke not only has he little understanding in lenses but sensors as well.

All lenses suffer flare to a certain degree, beyond f4 upwards to f0.95 you will exacerbate this phenomenon also Canon lenses are made with Canon sensors in mind not Panasonic 4/3 sensors.

So why is it not a surprise to find that this chap has found the Panasonic AF100 to be “haunted” when you can see the same problem on every camera on the planet.

I think you will find this chap has been banned from DVX USER because of his little understanding in the subject he writes about but it’s also an obvious snipe at the success of the Panasonic AF100/101 coming from a DSLR background and it’s not even April the first yet !

I am also not giving him traffic because his findings are NORMAL not PARANORMAL which is why I do not mention his name or web reference.

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