NEW Canon EOS-1DX Price £5299 March 2012

Categories: Miscellaneous 1 Comment

Specific video features…

Improved movie mode with reduced artifacts and moire, no line skipping, better low light performance, no file size limitation, SMTPE compliant time code, on screen audio meter, new video compression Intra frame and IPB, 1920x1080p full HD shooting at 24, 25 and 30fps, 1280 x 720p at 50 or 60 fps.

This is fantastic news for not only serious photographers but for serious video producers who are kitted out for DSLR shooting. The best bit about the news is it clears the way for November the 3rd being a video camcorder and dare I say it a large sensor film camera.

For all your video production needs in Scotland, get in touch with Small Video Productions

ProVideo 2011

Categories: Miscellaneous No Comments

ProVideo 2011 starts tomorrow at the Ricoh Arena, Coventry for 2 days run by the IOV. This is usually a great show, sadly I will miss out this year due to other work commitments but all the usual faces will be there.

Sony are exibiting  and will be showing off the NX70, PMW-350 and the FS100 camcorders.

John Preston and the boys will be selling a lot of major new kit from Sony NX70, F3, FS100 to the new Panasonic kit the AG-AC160 and the AG-HPX250 P2 camcorder to the new Canon 305 50Mbs camcorder and some new LED lighting, Rode microphones and lots more.

The address is Jaguar Hall 2, Ricoh Arena, Coventry CV6 6GE (19-20th October 2011…Day one 10-5pm…Day two 10-4pm)


For all your video production needs in Scotland, get in touch with Small Video Productions

Panasonic AG-AC160 Progress Report (Updated)

Categories: Miscellaneous 22 Comments

Why is it taking so long to produce the review of the new Panasonic AF160…Simple…I live in Scotland, the land of the rain. I kid you not this part of the world is like monsoon season at the moment plus I have had some paying work in-between so I am afraid it’s not been easy putting together a review of the AC160.

I found myself filming my local fox this morning a wee soul that lives beside us in some spare land the picture below was taken earlier this year with her new cubs. The AC160 has a fantastic 22x lens and amazingly has a digital zoom that’s worth its weight in gold.

Filming the fox I found myself playing with the digital zoom which just happens to be on USER preset No 2, the downside is that you only seem to be able to toggle from 2, 5, 10 and off which is a pain as 5 and 10x are not as usable as 2x.

This would be a great wild life camcorder as the 2x digital zoom is very usable and at 44x you are getting a cracking very un-digitised picture, the OIS is not as good as the steady shot seen on the likes of the Sony NX70.

Low light is better than I was expecting from a 1/3″ camcorder but I will be doing some further low light testing this week. The weight of the camcorder is very illusive as it looks a lot heavier than it actually is.

Although it seemingly has a variable frame rate I have chosen to record my footage at 720 50p because it does not film at 1080 50p unless you are willing to forgo sound.

I have tried simultaneous recording onto both SDHC cards and I have also used the syncro scan feature with great success, this very useful feature is badly missing from both the Sony FS100 and the NX70.

UPDATE : Shot footage at 9dBs this evening in a dark pub setting and I was very impressed with the footage viewed on a 50″ plasma TV. The phantom power switches are very small and a tad on the fiddly side for my liking.

Unlike the NX70 although this camera has a 2 stop reduction in light from wide to tight, filming outside this evening you were not as aware of that loss of light that is very apparent on the NX70 and the 160 has twice the zoom ratio !

Outside daylight footage is excellent and reviewing the 2x digital zoom is very impressive the 1st camcorder NOT to look digitally enhanced when using a digital zoom. (Note. using 2x only).

Auto focus struggles sometimes in poor lighting conditions…no more than the competition to be fair to the 160.

My friend Alister and I will be compairing the Panasonic AC160 alongside the Sony NX5 this weekend using a Panasonic vision mixer and both camcorders plugged via HD SDI.

For all your video production needs in Scotland, get in touch with Small Video Productions

Shoot it Yourself “Weddings videos with little to no production values”

Categories: Miscellaneous 11 Comments

Dragons Den a BBC series in which budding entrepreneurs get three minutes to pitch their business ideas to five multi-millionaires willing to invest their own cash. Two weeks ago two ladies from Clapham came on the show to introduce their idea of handing out a video camcorder to a budding punter to film at their friends wedding and the girls would charge £849.

For the £849 you get a dated Sony camcorder for a day to film whatever you wish at your friends wedding, returning the camera and tapes to the girls, they spend 3 days editing some kind of video together ending up with a DVD.

At first I was horrified at this concept but that depends what side of the fence you are coming at this…

Pro cameraman/editor’s hat…Very unprofessional footage to work with and as we all know you can’t make a silk purse out of a sows ear. This idea turns years of instilling into punters heads that they must get a professional to film the wedding…upside down.

Businessman’s hat…Great if you can get away with charging £849 and doing half the work.

There must be hundreds of wedding videographers cringing at this idea but if you think about it it’s not such a bad idea, who in their right mind wants to spend one more second at a strangers wedding if you can possibly avoid it.

The worst part of the wedding is when the £1500 a day wedding photographer skips off after the mock cutting of the cake and you still have at least 3 hours ahead of you.

The point is if you don’t enjoy being there then it makes sense to let someone else do your job…in fact I will bet the two girls are charging a lot more than many so called professional wedding videographers and they are only doing half the work.

It goes against all professional ethics but times are changing…no one thought 10 years ago that people would be filming weddings with photographic cameras, it’s all changing though I may add not for the better.

Anyone in their right mind will always choose a professional videographer over a DIY Video Bob or Bettie but financially if people in Clapham are affording this DIY filming service with editing and DVD services then you should all be charging £1500 minimum per professional wedding video and I bet thats way off the Clapham average cost of a wedding video…£650 at a guess.

Latterly when I was in the wedding scene I would on occasions hand out a smaller camcorder to see what footage the best man could produce or in one occasion I gave the flower girl a camera, so as you can see this idea is not new but the “extra” footage shot by amateurs was clearly identified and the client got the best of both worlds a cracking wedding video with some extra family input. The important point being 98% was professional and the extra raw footage was cherry picked and even the flower girl was given some tuition on using a video camera.

Good luck to the girls, they should be updating and handing out Sony MC50s, simple solid state camcorders with very little to tweak and cracking HD or SD pictures.

They prove one thing people are willing to spend money on little to no production values and are happy with a few copyright music tracks and an edit on iMovie…how much lower are production values in this world going to drop.

Conclusion : Over the past two days I have spoken to many people involved in and around this topic and it seems this has been good for the wedding video scene in general.

1. It has raised the profile.

2. Given many cheap skates a lot to think about.

3. Given the professional a benchmark for the first time “If you want to film it yourself it will only cost £849”

There is nothing to stop you as a working wedding videographer offering this very same “DIY” service as a starter package or doing what I did and giving various members of the wedding party a shot at filming some footage with a smaller easy to use camcorder.

The best news is the new benchmark starting price is £849 if you are charging less than this you are too cheap !

For all your video production needs in Scotland, get in touch with Small Video Productions

Steve Jobs dies aged 56 “The Genius who brought colour into many lives”

Categories: Miscellaneous 2 Comments

It’s like loosing one of your family, the daddy of Apple computers has sadly passed away today and I for one will forever be indebted to him. This Genius and visionary was my only saviour from the PC and a fantastic editing package Final Cut Pro.

My business is run on Apple computers from the 23″ iMac that I am typing this tribute on to the MacPro that day in, day out edits many happy clients video footage to the three iPhones and two iPad 2s we are steeped in Apple fantasticness and it’s all due to one man…Mr Steve Jobs.

I thank you Steve from all my heart and am glad you are now free from any pain and distress you may have suffered and my best wishes to your family and all Apple employees who will also be feeling very sad today.

Only yesterday were we treated to a further advancement to the iPhone 4 the 4s with many fantastic new features and people are now calling for the launch date of October 14th to be called Steve Jobs day…I would prefer the Apple stores to close for a day in respect of Steve who with his vision and commitment has brought not only a lot of pleasure to many people’s lives but a lot of employment worldwide.

In the words of the great man himself “You can’t just ask customers what they want and then try to give that to them,” he once said. “By the time you get it built, they’ll want something new.”

A lovely tribute to Steve on Apples own web site from the people who knew Steve best…

For all your video production needs in Scotland, get in touch with Small Video Productions

GenusTech Rig with WA Matte Box

Categories: Miscellaneous 5 Comments


For all your video production needs in Scotland, get in touch with Small Video Productions

GenusTech Rig Review coming soon

Categories: Miscellaneous No Comments

For all your video production needs in Scotland, get in touch with Small Video Productions

New Panasonic AG-AC160 arrives in Glasgow

Categories: Miscellaneous 7 Comments

Just out of the box the Panasonic AG-AC160…I look forward to producing a full in-depth review of this fantastic AVCCAM camcorder, the first of a new breed of solid state cameras from Panasonic.

I have had very little time to play with the AC160 today but here are a couple of frames from me messing about this evening. Firstly the camera copes very well in mixed lighting, the shot above has 5000K LED down lighters giving an almost daylight light, the fridge light on my wifes face is as good as 3200K.

I caught the coloured fridge door magnets and was pleased to see how natural the colours were especially is such mixed lighting. I have done some preliminary low light tests but nothing very scientific so I will refrain from comment till I have done further testing.

I hope to give the camera a thourough run-through over the next few days and produce a video review by the end of the week. We hope to have a bit of a coo by interviewing an old Celtic Lisbon Lion player as part of the review.

For all your video production needs in Scotland, get in touch with Small Video Productions

redrock… “first on the market with a Canon EF solution”

Categories: Miscellaneous No Comments

The Redrock Micro LiveLens MFT™ is the first active lens adapter that enables Canon EF lenses to be used with any micro four-thirds (mft) camera, such as the Panasonic AG-AF100, Panasonic GH1/2, and Olympus Pen cameras.

Canon EF lenses require power and electronic controls in order to adjust the lens’ aperture. Without power and control electronics, The aperture of the EF lenses are stuck wide open, severely limiting the usefulness of the lens. The Redrock LiveLens mft active lens adapter solves this problem by providing power to the EF lens and a control pad to adjust the lens aperture. With LiveLens mft you can set the EF lens’ aperture to any stop in increments as small as 1/3 stop. It works with just about every lens available today, including variable aperture zoom lenses, prime lenses, consumer-level lenses, and professional L-series lenses. It also works with most third party EF-compatible lenses. There are some limitations to please make sure to read Technical Details.

The Redrock Micro LiveLens mft is the solution for using sharp EF-mount lenses on Micro Four Third bodies without sacrifice. Where standard “dummy adapters” just physically mount EF lenses to the Micro Four Third body, the Redrock micro LiveLens MFT talks to the lens, giving you the ability to adjust your aperture without the need to use time consuming workarounds on set. Don’t work around the ability of your lenses; make your lenses work for you, starting today.

How does LiveLens mft work? 

The LiveLens mft is a lens adapter that fits onto any micro four-thirds camera body, and provides a Canon EF lens mount on the other side for attaching any EF-compatible lens. an on board computer and electronics power a small control panel that allow you to adjust the aperture of the lens, open or closed, in 1/3 stop increments.

Does LiveLens do what I need it to do? 

Absolutely. LiveLens technology has been used by many professional productions for over three years, demonstrating the reliability and capability of LiveLens. With a few exceptions it works with most EF-compatible lenses.LiveLens mft uses true active EF lens control technology, not fake extra iris, mechanical-only lens mount, or other non-performing poor quality “solutions” found on the Internet today.

How is it powered?

The LiveLens mft is powered by an external 9v battery, which can be switched on and off.

How long does the 9v battery last?

The 9V battery can power the unit for about 20 hours depending on how frequently aperture is adjusted .

Will this adapter work on all of my lenses?

The Redrock Micro LiveLens MFT will work on most Canon EF Lenses. However, there are a few exceptions. LiveLens mft does not power focus by wire lenses like the 85mm f/1.2 and 300mm f/2.8. It also does not work with Canon or third party teleconverters, extenders, or macro tubes.

How would I support long or heavy lenses?

If you plan on using long or heavy glass, we’d suggest a microLensSupport to ensure the lens is secure and properly supported.

Can I use the camera to control aperture?

Currently the lens aperture is controlled only through the LiveLens control pad, not the camera.

Will this power the image stabilizer of my IS enabled lenses?

Currently the LiveLens MFT powers only the aperture control of the lens, and does not provide power for image stabilization.

How does this differ from the LiveLens for the M3?

The underlying control technology of the LiveLens MFT and LiveLens for M3 is identical. Where the LiveLens MFT differs is it’s custom-built flange that attaches the unit to the Micro Four Thirds lens mount. LiveLens for the M3 has been proven to work for over three years in production environments and gives LiveLens mft this proven reliability.


For all your video production needs in Scotland, get in touch with Small Video Productions

Great Manfrotto deal

Categories: Miscellaneous 3 Comments


For all your video production needs in Scotland, get in touch with Small Video Productions

Pages: Prev 1 2 3 ... 112 113 114 115 116 ... 212 213 214 Next

%d bloggers like this: