Samsung enrich the NX system of lenses.

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Samsung Electronics Co., Ltd, a global leader in digital media and digital convergence technologies, today announced five innovative new lenses for its NX camera system. The new lenses bring more premium innovation to the range, featuring class-leading technology such as a premium portrait lens and lenses for movie capturing, opening new creative avenues for NX users to explore.

All of the lenses are compatible with Samsung’s unique i-Function system, which helps users create powerful effects easily through quick and convenient controls. The new launches, along with the five lenses released in 2010, mean that there are now 10 high-performance lenses available for the NX system, making this one of the most comprehensive ranges available in the Compact System Camera (CSC) market. Samsung’s new lenses have been created to allow users to maximize the potential of their NX system cameras, achieve professional-looking results and enjoy taking photos whatever their level of photography experience.

The new lens range includes Samsung’s 18-200mm multi-purpose Long Zoom Lens. This model features modes which are optimized for creating high-quality movie content with a single lens. The new long zoom lens also has a fast, silent Auto-Focus due to Samsung’s use of Voice Coil Motor (VCM) technology, so users can capture important events without recording the sound of the camera’s AF. The lens also features Optical Image Stabilization (OIS) to cancel out any hand movement and deliver crisp, clear images, even when a subject is far away.

Samsung has also launched a light, compact 16mm F2.4 Ultra Wide Pancake Lens. The bright aperture of this lens helps to capture wider images even in low light, and deliver a shallow depth of field. The new lens’ compact size and sleek design make it the perfect companion to the stylish NX camera range, and its ultra wide angle is ideal for taking landscape shots and deep perspective pictures.

For the ultimate in super fast and silent Auto Focus, Samsung’s new 60mm Macro Lens features a Super Sonic Actuator (SSA) to deliver a fast, quiet Auto-Focus and also has an Optical Image Stabilization so users never have to miss the timing of that perfect close up shot. For more advanced photographers, the lens offers the ability to manually fine-tune focusing using the Full-Time Manual Focus.

The Premium Portrait Lens also launched today is the ultra bright 85mm F1.4 CSC lens, designed for professional photographers. This lens also includes the SSA to provide a fast and silent Auto-Focus. Like Samsung’s 60mm Macro Lens, the 85mm Premium Portrait Lens also includes the Full Time Manual Focus, giving advanced photographer’s greater control over their preferred settings. The bright F1.4 lens offers the ideal solution for capturing perfect and professional looking portrait pictures of friends or loved ones.

Samsung’s 16-80mm Advanced Standard Zoom Lens is optimized for taking great movies and still shots. Like the 18-200mm long zoom lens, it has a fast, silent Auto-Focus and Optical Image Stabilization. To make capturing great footage easy in any situation, the lens includes VCM modes ranging from landscape to portrait.

HDW: This is the proof that we are set to see a vast array of cracking large aperture lenses for various DSLR cameras as well as the micro Four Third system of lenses.

For all your video production needs in Scotland, get in touch with Small Video Company Ltd

My new tab called “Purchase”

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For all your video production needs in Scotland, get in touch with Small Video Company Ltd

What EVF ? “It’s a matter of timing”

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Just goes to show if you are quick off the mark how you can gain a foothold in a specific marketplace, I was down at BVE in London this week and the only alternative electronic viewfinder on show was the Cineroid, even Panasonic had a Cineroid hooked onto their demo AF101, that kind of tells you something.

CVP had their F3 on show with a Cineroid and CVP are the official Zacuto distributers in the UK so whats going on, simple, Zacuto have been caught out by Cineroid who obviously have the Korean manpower to build Cineroids for a mass market.

John Preston had a few Cineroids for sale and I got the last one, it’s a must for the AF101 and more than a must for the Sony F3…if you want to achieve critical focus. Both Panasonic and Sony have not given enough thought when producing their electronic viewfinders for these cameras, they are poor to say the least.

The one thing that CVP were majoring on was alternative viewfinders for both the AF101 and the F3 so when you get such large players giving you alternative EVFs it’s got to point to one thing…no one is happy with the EVF on either camera. It’s a sad day when you are offered a Hi-Rez Sony viewfinder on a Panasonic camcorder.

Sony and Panasonic would tell us that they are happy with their viewfinders but the sales of the Cineroid alone tell me another story, I would prefer not to “PIMP UP” my new AF101 by having to spend over £500 to get a picture that should have been built into the camera itself.

What about Zacuto when are we going to see their EVF…how long is a piece of string…I have no doubt whatsoever that the Zacuto EVF will be of a very high quality build, have a 2.5x glass diopter use Canon Li-ion batteries and a full size HDMI input but they are not taking orders as of today, you join a long waiting list and to be quite frank I can not wait  that long for a tool that I need today.

The Cineroid is a very capable EVF, has a very sharp faithful colour image, they have changed not only the poor battery contacts but made it a lot easier to remove the battery and the cover, three things I picked up on when reviewing the Cineroid EVF…so well done Cineroid and lets hope Zacuto can offer the UK market an EVF sooner rather than later.

UPDATE : I have as of today tried the Cineroid with the 7-14mm f4 Lumix lens, now I don’t care what Barry Green says about the Panasonic VF you can”t see critical focus on the AF101 using the 7-14mm lens as it stands, this was clear when I have on occasions thought I was in focus only to be disappointed in the edit suite, today I have for the first time seen out of focus images using the 7mm end of the lens which looks fine on the Panasonic EVF/LCD so that not only justifies the Cineroid’s cost but takes out any anxiety from future productions using this wonderful WA lens.

For all your video production needs in Scotland, get in touch with Small Video Company Ltd

BVE last day round up and competition winner

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Last day at BVE was a good look round the stands and some treats for myself, Holdan’s as usual had a great presence a smashing big stand and plenty of people to talk technical, Richard Payne who I interviewed was demonstrating the AF101 all day every day, there is so much interest it’s unreal.

This all in one mixer from Holdan’s has XLR audio inputs, HD SDI inputs and a talkback unit all output into a DataVideo HD SDI recorder.

The AJA stand had the Ki Pro mini a fantastic pro recorder that many DPs like myself will appreciate, real buttons and readouts plus Apple Pro Rez.

The Ki Pro mini is not available till March, records onto CF cards and will retail for about £1600 plus vat but hot on it’s heals is the Ninja priced at a mere £600 plus vat.

I had a good look at the NINJA and was more than impressed, the Ninja records onto 3.5″ laptop hard drives running at 7200RPM, it also records 4:2:2, 10bit Pro Rez and has two hot swappable batteries, once again not due till March.

I met a lovely man from Miller called Mike Lippmann who convinced me that their Compas 25 fluid head was the tripod head for me, it certainly felt very smooth both pan and tilt.

My other significant purchase was the Cineroid EVF for my AF101, although I can use the LCD with the DTL switched on sometimes it’s just not good enough and I find myself struggling to see critical focus so my only sensible option was the Cineroid which I had a play with about 3 weeks ago. CVP had a Sony viewfinder attached onto an AF101 but at £2500 it was a tad out of my budget.

Our man Nigel Cooper was doing a brisk trade with his how to light INTERVIEWS DVD in fact he gave me a copy for review so look out for that in the weeks to come.

I caught up with my old friend Mike Tapa who was selling plenty of adapters for all sorts of camera and camcorders, if Mike can’t adapt it, it can’t be adapted. Mikes lovely wife Elizangela pulled the name out of a camera bag for my competition which I filmed but not to keep you in suspense the winner of the AF101 Barry Green book was..Alessandro Villamira from Italy, congratulations to Alex.

So was it worth the hike to BVE in London…YES …if you go to no other video show in the UK, BVE is the show to attend especially if you are looking for new kit.

For all your video production needs in Scotland, get in touch with Small Video Company Ltd

BVE Show, London, Day Two

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Day two was even busier and I got a surprising phone call from Mike Tapa to come to his stand to see an interesting setup. On arriving at his stand I was greeted with an AF101 with a Canon HJ 11x broadcast lens.

Wow…an f1.9 zoom lens, through and through with an 18x magnification so how is this possible, Mike “This is one of my specials, this combination only works with HD lenses that have a 2x converter.” “It’s a B4 2/3″ to mFT adapter the 2x converter must be engaged for the lens to cover the sensor.” Very clever indeed, this almost begs Canon or Fuji to bring out a smaller zoom lens with the AF101 in mind.

Another interesting product at the show was to be found at CVPs stand the NINJA. This is similar to the NanoFlash but has a nice big screen that you can watch your footage back with. That was always my bug bear with the FS-4 by Focus Enhancements you had no way of monitoring your footage.

The Ninja records onto Apple ProRez and uses Sony type batteries it also records onto standard laptop hard drives (7200 rpm).

This was an interesting lash up by CVP, the blending of a Panasonic AF101 with a £2500 Hi Rez Sony Viewfinder using the HDMI output. There is a ton of interesting alternative add on’s for the AF101 and the marriage of Panasonic and Sony is a belter.

Here is a picture and a half  John Preston (2nd right) myself and two of Johns customers who are avid fans of HD Warrior.

Lastly from Day Two of BVE was the interest paid to the Sony F3 seen here on the Sony stand itself. This is a cracking camera and now ships as an optional extra with three Sony prime lenses all T2 or f.2 for the non film makers.

Today was an even busier show and has been a joy to attend I have been compiling some video footage mostly with the AF101 around the show and I hope to upload the edit after this weekend…more tomorrow, Day Three, the last day and find out who won the Barry Green book.

For all your video production needs in Scotland, get in touch with Small Video Company Ltd

BVE Day One

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Start of the day did not go to well, driving up the A4 towards Earls Court we managed to get a flat tyre, £169 later we were parking at BVE, £25 per day !

The show is massive and very busy, I was on duty showing off the Panasonic AF101 and the Sony F3. The F3 with prime lenses is a lot heavier than I was expecting but theres no doubt it looks the part.

Andy Guest from H Preston Media took this flattering pic of me, John Preston seemed to be doing a thriving trade and from all accounts selling AF101 and F3 camcorders.

This is indeed the year of the shallow depth of field video camcorders, Sony and Panasonic still had their fare share of shoulder mounts and hand held camcorders but you can detect the tide is now firmly turning towards the larger sensor cameras.

Tomorrow I will see if their is anything new on offer, I bought some Rycote under covers and stickies today and a Rycote universal camera kit as I am a big fan of the Miniscreen Windshield which is now standard on all my camera mics.

My own DVD is selling like hot cakes from three outlets so don’t delay or be disappointed make sure you pick up a copy today.

On the subject of the AF101 a lot of interest on day one mainly from seasoned cameramen looking for that shallow depth of field.

With so many third party accessories coming on board for the AF101 it’s getting hard to keep up but I was playing with the new shoulder stabiliser system from IDX and I was more than impressed I will get some pics and prices for tomorrow.

For all your video production needs in Scotland, get in touch with Small Video Company Ltd

Set Up Day at BVE

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Today (Tuesday) is the first day of BVE at Earls Court in London. This is the video show worth attending as it’s the biggest show outside IBC, Amsterdam.

From what I gather Sony will have an updated version of their Super 35mm NXCAM film like camcorder due June-July 2011. I hope for Sony’s sake it looks far closer to a video camera than the strange conceptual camera seen at the F3 press launch.

I will be demonstrating the Panasonic AF101 and the Sony F3 throughout the day at H Preston Medias stand (K10) come and say hello and as an experiment the first person to come to the stand and tell me they read HD Warrior gets a free copy of my “Heads Up” DVD (SD DVD version).

So I hope to see a few of you over the next three days.

For all your video production needs in Scotland, get in touch with Small Video Company Ltd

75mm f1.9 Switar lens back after 20 years in an attic

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About two weeks ago I got a phone call from my friend Norrie who was very interested in my dealings with the Panasonic AF101. He told me he had some prime lenses up in the attic that were gathering dust “Old Bolex ‘C’ mount lenses”.

I got onto the internet to discover a chap in China had been using ‘C’ mount lenses with his Panasonic G2 mFT camera so I hunted down a ‘C’ mount to mFT lens adapter and it was with me by the end of the week.

Today I took a trip to Norrie’s house and we both had a look at the AF101 and the Bolex mount lenses, but could I find that ‘C’ mount adapter anywhere, I could have sworn it was in my CB200 KATA bag…but alas time got the better of me and Norrie told me to take the lenses away with me.

This chap above Yu-Lin-Chan is using the Switar 75mm lens and I note from his info that these lenses were not only made in Switzerland but around the 1950-1960s and is very good glass indeed as the picture of the wee girl proves.

I got home to discover that the adaptor was indeed in the KATA bag, in a front pouch that I forgot it had. I tried the 10 and 25mm lenses but they suffered very bad vignetting so my next try was the 50mm f1.8 lens and it worked a treat. The best of the lot was the 75mm f1.9 lens remembering that we have a 2x crop giving the lens a 150mm angle of view…fantastic.

Amazing prime lenses that were used in a different era (1960s) even back then they were top notch and after a long lie in Norries attic they have seen the light of day and will be cherished by myself and used frequently on the AF101 at the drop of a hat !

For all your video production needs in Scotland, get in touch with Small Video Company Ltd

“Heads Up” available in Blu-Ray or SD DVD

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I decided the DVD was going to be named “Heads Up” because it does what it says on the tin…If you buy a Panasonic AF101 there are some tweaks to various menus that would be daunting unless you get a “Heads Up” via the DVD.

I walk you through various menus, AVCAM viewer tutorial, Final Cut Pro-7 tutorial on log and transfer, various lenses from mFT Lumix to Canon and Nikon using an MTF adapter. Show you how to calibrate a BeBob FOXI for the 14-140mm lens, producing a cooking program, sports interview and a low light showdown at 18dB of gain.

The Blu Ray contains two discs 1 Blu-Ray and one SD DVD for £40

An SD DVD for £20

These DVDs can be purchased by sending an email to and I will send you a PayPal payment request…remember you don’t have to have a PayPal account just a credit or debit card.

For all your video production needs in Scotland, get in touch with Small Video Company Ltd

Last shoot for the AF101 Blu-Ray DVD

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Here I am again this time up in Stirling filming a local football team that is now run by the fans themselves, my son Scott was doing a video blog on the club and I took the opportunity to get some extra footage for my “Heads Up” Blu-Ray DVD.

I have also decided to give you an SD copy in the same double case DVD holder as you would get with a Hollywood blockbuster title, this allows many of you to view the DVD and have the facility to watch the native HD Blu-Ray copy when you get a BR player.

I don’t think football sponsors would care for the shallow depth of field that the AF101 allows but personally I think it adds to the interviews, concentrating the viewing experience firmly on the subject.

I used the Nokton 25mm f0.95 for the first two interviews and the Canon 50mm f1.2 for the stadium interviews, wide shots were using the Lumix 7-14mm f4 lens and the training shots were done with the Lumix 14-140 f4.5-5.8 lens at 15dBs.

Once again I used the Ianiro “Minima” LED camera light to great effect with the mixed lighting you get in a football stadium.

For all your video production needs in Scotland, get in touch with Small Video Company Ltd

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