Sony to show updated Pro FilmLike camcorder at IBC

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Interesting that Sony use the same SINGLE picture of their FilmLike Pro camcorder as seen at NAB 2010 earlier on this year to indicate some further updates to this work in progress. Sony are having a massive following for their NEX-VG10 domestic camcorder and I know a few DPs keeping a watchful eye on the new Sony Pro model.

IBC kicks off in 13 days and Panasonic will not only have a working model of their AG-AF100 FilmLike camcorder but pricing as well. This is Panasonic’s year for being ahead of the game with their AF100 camcorder.

I am really exited by this new technology as finally we get a shallow depth of field camcorder that does not look cumbersome using 35mm adaptors or amateurish using an HDSLR. As usual HD Warrior will get to try out these new camcorders as soon as they become available.

For all your video production needs in Scotland, get in touch with Small Video Company Ltd

Sonnett’s Express Card Reader now SDXC card compatible

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Sonnett Technologies has announced SDXC card support for its Multimedia Memory Card Reader & Writer ExpressCard/34 adapter, enabling users with MacBook Pro and Windows laptop computers equipped with an ExpressCard slot to use these extended-capacity cards designed for the latest high-megapixel digital cameras and digital video camcorders. The new format SDXC cards (starting at 64GB) surpass previous-generation SDHC cards 32GB maximum capacity.

Sonnet’s Multimedia Memory Card Reader & Writer ExpressCard/34 quickly moves files from memory cards to a notebook computer’s hard drive, with no cables required. This handy device inserts flush inside a MacBook Pro or Windows notebook’s ExpressCard slot so it can be carried inside the computer slot even when not in use. The Sonnet multimedia reader supports the most popular memory card formats used in digital cameras, cell phones, and other electronic devices, including Memory Stick, MMC (Multimedia Card), SDHC (Secure Digital High Capacity), XD-Picture Card, and all their variations. This card works in ExpressCard/34 and ExpressCard/54 slots, and supports SDXC in Mac OS v10.6.4, Windows 7, Windows Vista SP1, and Windows XP (with Microsoft file system driver update).

Users can add SDXC card support by visiting the support area on the Sonnet web site.

Sonnet’s Multimedia Memory Card Reader & Writer ExpressCard/34 (part number MMRW-E34) is available now for the suggested retail price of $29.95.

More information on the Multimedia Memory Card Reader & Writer ExpressCard/34 is available at here. More information on Sonnet and its products is available at www.sonnettech.com.

For all your video production needs in Scotland, get in touch with Small Video Company Ltd

Burning a Canon 5D2 “Not Recommended”

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Some chap has decided to burn his Canon 5D2 and show it on YouTube…now thats his choice but the camera was waterlogged and beyond repair. As a photographer I do not condone actions such as this but it makes a strong advert for Panasonic and Sony !

You can see the whole cremation here…OR was here… OOPs the fire eating chap has removed his video !

Strange just on the same day that Canon officially announce the EOS60D the first Canon HDSLR to have a swivel viewfinder…about time too…lets hope this is a feature for all Canon HDSLRs as photographers would benefit from this feature as well.

For all your video production needs in Scotland, get in touch with Small Video Company Ltd

Two great offers from CVP

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For all your video production needs in Scotland, get in touch with Small Video Company Ltd

Canon develop the first 120 megapixel APS-H CMOS sensor

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Canon Inc. announced today that it has successfully developed an APS-H-size*1 CMOS image sensor that delivers an image resolution of approximately 120 megapixels (13,280 x 9,184 pixels), the world’s highest level*2 of resolution for its size.

Compared with Canon’s highest-resolution commercial CMOS sensor of the same size, comprising approximately 16.1 million pixels, the newly developed sensor features a pixel count that, at approximately 120 million pixels, is nearly 7.5 times larger and offers a 2.4-fold improvement in resolution.*3

With CMOS sensors, while high-speed readout for high pixel counts is achieved through parallel processing, an increase in parallel-processing signal counts can result in such problems as signal delays and minor deviations in timing. By modifying the method employed to control the readout circuit timing, Canon successfully achieved the high-speed readout of sensor signals. As a result, the new CMOS sensor makes possible a maximum output speed of approximately 9.5 frames per second, supporting the continuous shooting of ultra-high-resolution images.

Canon’s newly developed CMOS sensor also incorporates a Full HD (1,920 x 1,080 pixels) video output capability. The sensor can output Full HD video from any approximately one-sixtieth-sized section of its total surface area.

Images captured with Canon’s newly developed approximately 120-megapixel CMOS image sensor, even when cropped or digitally magnified, maintain higher levels of definition and clarity than ever before. Additionally, the sensor enables image confirmation across a wide image area, with Full HD video viewing of a select portion of the overall frame.

Through the further development of CMOS image sensors, Canon will break new ground in the world of image expression, targeting new still images that largely surpass those made possible with film, and video movies that capitalize on the unique merits of SLR cameras, namely their high mobility and the expressive power offered through interchangeable lenses.

*1The imaging area of the newly developed sensor measures approx. 29.2 x 20.2 mm.
*2 As of August 20, 2010. Based on a Canon study.
*3 Canon’s highest-resolution commercial CMOS sensor, employed in the company’s EOS-1Ds Mark III and EOS 5D Mark II digital SLR cameras, is equivalent to the full-frame size of the 35 mm film format and incorporates approximately 21.1 million pixels. In 2007, the company successfully developed an APS-H-size sensor with approximately 50 million pixels.

HDW : 120MP is a massive jump in quality in anybody’s books and is a direct poke at RED in my opinion, don’t quite know what Canon are going to do with such a beast but you can be well assured that it will not be a £2500 camera with a 120MP chip inside it.

As an aside we have 20 days till Panasonic announce the pricing and availability of the AF100 which will have an instant impact with the professional video world. DPs will have a camcorder fit for purpose with all the professional features of film look camcorder. This development will swing many cameramen away from the handicapped HDSLR.

Sadly none of the photographic manufacturers were willing to go that one step further dealing with all the inherent technical issues that dog the HDSLR and are now being surpassed by the video manufacturers like Sony and Panasonic.

For all your video production needs in Scotland, get in touch with Small Video Company Ltd

IBC Amsterdam 2010 Exhibition 10-14 September

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For all your video production needs in Scotland, get in touch with Small Video Company Ltd

New Panasonic AG-HPX3100 camcorder

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Panasonic will launch the AJ-HPX3100, a compact shoulder mounted HD camcorder featuring P2 solid-state memory card recording, in October 2010.

The AJ-HPX3100 offers high image quality and performance for high-end video production, incorporating a 2.2 megapixel, 2/3, type CCD image sensor (3CCD) and the latest AVC-Intra Codec for broadcasting (compatible with MPEG-4 AVC/H.264).

The camcorder supports multi-format HD capability as well as SD, DVCPRO50, DVCPRO and DV recording. The AVC-Intra 100 codec records high-quality images using 10 bit/4:2:2 sampling and also supports high-quality 24 bit audio recording whilst in AVC-Intra mode. The camera also offers a Chromatic Aberration Compensation (CAC) function to compensate variations in the lens and Dynamic Range Stretch (DRS) which suppresses blocked shadows and blown highlights.

The AJ-HPX3100 offers a number of improvements over its predecessor; a newly designed compact and lightweight body provides a low centre of gravity ensuring an unobstructed view for the camera operator. It is 3.9kg (8.6 lb) lighter than the previous model, offering the camera person enhanced mobility. The camera also consumes around 23% less power than conventional 2/3 3CCD camcorders.

The camcorder has two easily accessible slots for reusable P2 solid-state memory cards which offer up to 64 GB capacity and a high data transfer speed. The new camera also includes a range of functionality to improve workflow including wireless metadata input capability and a new video encoder board capable of proxy recording supporting Apple’s Final Cut Pro editing system.

HDW : Sometimes you don’t read your own blurb…I just noticed this camcorder is using CCD technology, now I was under the impression that all camera manufacturers were going away from CCD due to it’s lesser low light capabilities, smearing and general outdated technology…has Panasonic re-invented the CCD…don’t know is the answer but you don’t get problems like rolling shutter with CCD, this will be a camera to watch out for at IBC.

For all your video production needs in Scotland, get in touch with Small Video Company Ltd

AG-AF100 prices and availability during IBC, September 2010

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HDSLRs will be dead in the water come September by all those using them for convenience, size and shallow depth of field. Professional DPs have had fun tinkering with HDSLRs but now a far better professional alternative is just round the corner we will see a major departure away from the HDSLR technology.

I put my hand up, I don’t use my 5D2 for video as they were never designed by Canon as a professional video tool, some people would have you believe otherwise.

Panasonic for once have been very astute by developing the AF100 to take micro 4/3″ lenses, prime lenses and 35mm lenses, the camcorder on paper looked like an old cine  camera when it first appeared in illustration form but as we are now seeing it in real life its looking fantastic.

The AG-AF100 series features HD-SDI output, XLR audio 2-channel input, and other interfaces that are typically found on professional camcorders. Time code, in addition to its compact, lightweight body, the AG-AF100 series’s professional camcorder design with grip, handle and large viewfinder.

A wide variety of lenses for Micro Four Thirds standard digital SLR cameras can be used for filming shallow depth of field productions. With the mount adaptor, it is also possible to mount 35mm film camera lenses and prime lenses, to render images that maximize lens characteristics.

The AVCHD recording format used by the AG-AF100 series includes a professional PH mode with maximum AVCHD bit rate for stunning image quality. Two SDHC card slots allow continuous recording for up to 12 hours in PH mode and up to 48 hours in HE mode with two SDHC/SDXC cards on board.

The AG-AF100 series records in

1080:59.94i/50i/29.97p/25p/23.98p

or 720:29.94p/50p/29.97p/25p/23.98p with its multi HD format.

The Dynamic Range Stretcher, Gamma Select and other image features have also been inherited from previous Panasonic professional camcorders.

Prices and availability during IBC in September.

For all your video production needs in Scotland, get in touch with Small Video Company Ltd

Sony HXR-MC50 footage edited by Chris Attkins

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It’s always interesting to see your footage edited by someone else in this case my friend and colleague Chris Attkins who lives in the tranquil Isle of Arran on the West Coast of Scotland. It depicts village life on a small island during the summer period with a weekly family ceilidh in Brodick Hall.

This allows you to see how fantastic the Sony HXR-MC50 performs is in ambient lighting conditions and how usable the sound is considering you have no manual override.

For all your video production needs in Scotland, get in touch with Small Video Company Ltd

Sky News P2 HD Tapeless Workflow

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As the transition to HD tapeless news production workflows gains momentum throughout the industry, IBC2010 will present a forum to examine how one broadcast network has tackled the process.

EVS, which designs and sells video servers commonly used in fast-paced TV production, is organizing a workshop dedicated to the topic of HD tapeless news workflows, Sunday, Sept. 12, at 1:30 p.m., at the Elicium, Room 507, in the RAI Center.

Bevan Gibson, deputy head of technology at SkyNews, will present SkyNews’ transition to a tapeless HD production workflow. Alex Redfern, EVS technical support engineer and SkyNews project manager, will join Gibson during the presentation.

Since early May 2010, SkyNews productions at Osterley, London, and in Washington, D.C., have relied on an HD tapeless solution developed by EVS. The integrated solution covers the entire workflow from acquisition to playout, including central storage and media content management.

The workshop will present SkyNews’ original technical and production requirements, the advantages of going tapeless and the broadcaster’s plans for the future.

The catalyst for the move was coverage of Barack Obama’s presidential inauguration in January 2009 which Sky News aired on Sky Arts HD. “It proved to be successful technically and in audience figures so there was a collective view to make this a permanent HD channel,” says Sky News Head of Technology, Steve Bennedik.

Sky News already had a tapeless strategy centered on media asset management and library system Viz Ardome and it had been capturing on Panasonic P2 SD/HD switchable (AJ-HPX2100) units for a couple of years. “We were also using Final Cut Pro in the field, so this gave us another advantage,” adds Bennedik. “We can ingest directly into the EVS servers system, or into our Ardome Ardendo tapeless library system. This can then be picked up by an editor in FCP, or journalist on EVS browser.”

Footage from Sky News crews is shot 1080i DVCPRO 100 and maintained as such through the process. Archive is the same as acquisition with P2 content ingested directly into the production environment.

Ingest is made into EVS via file transfer and can also be made into the Ardome system via Viz Media Porter. Two P2 players enable ingest in realtime if required.

Sky isn’t saying what percentage of its HD news channel will in fact be HD originated but it cannot mandate agencies like AP or Reuters to deliver in HD, even though both have standardised on P2.

“If the day features largely domestic news then you will see predominantly HD coverage, but if we have to rely on foreign stories or stories from remote locations then content is more likely to be SD uprezzed,” he reports. “Often where Sky leads, others follow but it would take other broadcasters transitioning to HD to ensure consistent agency HD delivery.”

HDW : So there you have it Sky are committed to P2 as their tapeless format so if you are a cameraman looking for freelance work then Panasonic P2 HD is your choice of camera…personally I think Sky are daft putting all their eggs in one basket, although high end P2 camcorders are cracking I don’t think the format matters these days as long as it’s delivered on 50Mbs or higher.

It’s not surprising that Sky chose Panasonic P2 as Panasonic were almost first out there with solid state P2 HD albeit a stupidly expensive workflow with P2 cards costing £1200 at one point, though Sky would not be paying those silly card prices. Companies like Panasonic throw themselves at news broadcasters to get a tender-ship, which is fine but more single users as a collective pay more for professional equipment over a year than broadcasters buy in ONE contract. I think single users should have a buying forum, if 50 end users wrote to Sony or Panasonic looking for 50 SxS or P2 camcorders they would get better prices than buying 50 single purchase camcorders…beat them at their own game…worth a thought.

For all your video production needs in Scotland, get in touch with Small Video Company Ltd

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