Panasonic EVA-1…£6,215 plus vat with NO EVF

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Panasonic today disclosed additional information, including pricing and specification data, about the upcoming AU-EVA1 5.7K handheld cinema camera. Previewed this spring at Cine Gear Expo, the EVA1 will ship this autumn with a suggested list price of £6,215.00.

Technical specifications now include a pixel count of 5720 H x 3016 V (17.25 million), confirmed dual native ISO ratings of 800 and 2,500, and 14-stops of dynamic range.

“The EVA1’s 5.7K Super-35 sensor has almost twice as many photosites as 4K,” noted Luc Bara, Technical Product Manager for Panasonic. “That means the 4K videos recorded in the camera will be crystal clear with rich colour information. The EVA1 also inherits the unique dual native ISO sensor technology from our cinema VariCam line, allowing it to shoot in bright sunlight or night exteriors without compromising the image quality. And the 14 stops of dynamic range capture a huge scope of exposure detail.”

The newly-designed EVA1 sensor is Super-35 sized (24.60mm x 12.97mm) with 5.7K resolution. With an active resolution of 5720 x 3016, the EVA1 delivers more than 17.25 million photosites, nearly double the 8.8 million for 4K DCI (4096 x 2160). By starting at a higher native resolution, the 5.7K sensor yields a higher resolving image when down-sampled to 4K, UHD, 2K, or even 720p. Additionally, the increased colour information results in a finer, more accurate finished image.

A key feature of the VariCam cameras, dual native ISO utilises a process that allows the sensor to be read in a fundamentally different way, extracting more information without degrading the image. This results in a camera that can switch from a standard sensitivity to a high sensitivity with almost no increase in noise or other artefacts. Dual native ISO has allowed cinematographers a greater variety of artistic choices as well as the ability to use less light on set, saving time and money. The EVA1’s dual native ISOs are 800 and 2,500, which will allow cinematographers to shoot in almost any lighting environment.

The EVA1 delivers 14-stops of dynamic range, enabling fine gradation in exposure from bright to dark. The ability to capture accurate colours and rich skin tones is a must for any filmmaker. The EVA1 features full V-Log/V-Gamut capture to best utilise high dynamic range and broad colours. V-Log has log curve characteristics that is HDR ready and V-Gamut delivers a colour space that will cover BT.2020.

Weighing only 1.2Kg (body-only) with a compact form factor (17cm H x 13.5cm W x 13.3cm D) and a removable handgrip, the EVA1 can be used for efficient handheld shooting applications. Because of its compact form factor, it can also be mounted on a drone, gimbal rig or jib arm for complex yet smooth camera moves. There will also be numerous mounting points and Panasonic is currently working with top accessory makers to allow further customisation with the EVA1.

The included adjustable handgrip offers several controls, including Menu, REC start/stop, Iris and Two User Buttons. The EVA1’s LCD screen is a 3.5” touch panel for menu selections, expand (image zoom) positioning and playback controls. The LCD has an adjustable backlight control, including a Power LCD mode for bright viewing conditions.

For lensing, the camera utilises a native EF-mount, giving shooters access to the broad EF lens ecosystem, including dozens of cinema style prime and zoom lenses from numerous manufacturers. Electronic Image Stabilisation (EIS) within the camera will counterbalance camera shake and blurring, enabling smooth movement for handheld shooting. There will also be full Iris Control, One-Push Auto Focus, and Lens Data.

Behind the lens mount, an integrated ND filter wheel in 2, 4, and 6 stops allows for precise exposure control. The EVA1 also allows the IR Cut to be swung out of the path to the sensor at the push of a button. Unique photographic effects and night vision imagery are possible with this control over infrared.

The ND filter and IR Cut filter operate electronically, allowing wireless remote control from smartphones and tablets. EVA1 will have a remote control app for a tablet (iOS, Android) that enables users to control an EVA1 when the camera is on a camera crane, or remote location.

Ideal for indie filmmakers, the EVA1 records to readily-available, lower-cost SD cards. With two SD card slots, you can capture footage either with simul rec (simultaneous dual record) or relay rec (continuous record). There’s also one shot record, which enables single frame video for stop motion capture.

The camera can record in several formats and compression rates, and offers up to 10-bit 4:2:2 even in 4K. For in camera recording, you can capture in 4K (4096 x 2160), UHD (3840 x 2160), 2K (2048 x 1080), Full HD (1920 x 1080), and HD (1280 x 720). In a future firmware upgrade, EVA1 will offer ALL Intra compression for in camera recording and 5.7K RAW output to third party recorders.

For high-speed capture, the EVA1 offers up to 59.94fps/50fps for 4K/UHD, up to 120fps/100fps for 2K/Full HD, or 240fps/200fps (cropped area).

On first release, available bit rates will range from as low as 8Mbps up to 150Mbps, depending on frame rate, resolution, and codec. In a future firmware update, 400Mbps recording will be added.

As a professional video production tool, EVA1 contains several professional imaging tools, including peaking, expand (Image Zoom), waveform, zebras, and spotmeter (Y-Get). EVA1 also utilises focus squares, an array of green squares that grow in size when their local area appears to be sharp, to enable shooters to achieve critical focus.

EVA1 offers dual balanced XLR audio inputs with Dolby AudioTM encoding. The HDMI and SDI video outputs are both 4K-capable and each can be adjusted separately, allowing HD to be fed to a viewfinder or other third party monitor while 4K is sent to an outboard recorder or monitor. The camera is also equipped with standard TimeCode functionality.


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Thursday is the official day for Panasonic’s EVA-1 announcement on more specs and official price

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Nigel Wilkes just posted this today “On Thursday 3rd August, Panasonic will announce the final information about the EVA-1”

This is one side of the EVA-1 we have not seen till now, I hope there is a rocker switch on the EVA-1 and the implementation of VSM (Variable Scan Mapping) as seen on the JVC LS300 or at least the ability to zoom into the 4K chip.

Price will the the make or brake of EVA-1, I am still hoping for a figure of no more than £5,500 incl vat.

For all your video production needs in Scotland, get in touch with Small Video Productions

Can you help my dad…Peripheral Vision in one eye is the only sight he has left

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We just got my dad a Visolux Digital HD Magnifier which does help him read the “Racing Post” but he has only got peripheral vision in one eye due to some catastrophic eye conditions over the last two years.

Scientifically speaking, peripheral vision is that element of overall vision which occurs outside the center of the gaze. When you speak of seeing something “out of the corner of my eye,” you are referring to peripheral vision. There are some facts about peripheral vision that are not commonly known and pretty cool:

  • Athletes undergo sports vision training that includes improving peripheral vision. Very few people are born with perfect sight, and peripheral vision is important. Athletes are trained to be aware of their periphery and notice actions that are not occurring directly in front of them.
  • Non-athletes can also improve referral awareness with eye exercises.
  • Peripheral vision is a safety issue. It allows us to see objects coming from the side, helping to prevent side impact crashes, and avoid that ball coming (literally) out of left field.
  • Peripheral vision allows us to see better at night.
  • The peripheral vision of a horse is better than that of a human being. However, because the horse’s eyes point to the sides, there is a blind spot of vision right ahead of their noses.
  • Peripheral vision is practically all in black and white, and has a very low resolution. You don’t really notice the difference because the motion of the eye will compensate.
  • Peripheral vision can help with speed reading. Most people read with their central focus, and that prevents them from seeing up to 50% of the words in the text.

My thoughts can anyone think of a way of bending the light to allow him to “see” more in the peripheral part of his eye. Most of you who read this blog have an interest in lenses though some of you are experts, I hope someone reading this can help my father by coming up with an idea or knows of a gadget that could revolutionise his sight.

This is me and my dad during 2014 only three years ago when he had good sight in both eyes. Its very sad to see just how much my father can’t see after many years of very good sight.

For all your video production needs in Scotland, get in touch with Small Video Productions

Using your Panasonic GH5 underwater

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Interesting video about using the GH5 for underwater filming.

For all your video production needs in Scotland, get in touch with Small Video Productions

Meanwhile back at Sony…FS5 firmware V4 has been pulled with no explanation. UPDATED

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Sony are having some problems with the FS5 firmware version 4. Having had a wee trawl round various web sites this morning Newsshooter seems to have an end user with the following problem…Kevin “I updated to 4.00 as I was really excited about the lower ISO option in SLOG. I then used the camera on a shoot in SLOG2 4K 24p with both XLRs in use and the audio is out of sync! Two frames off from what I can tell but it’s enough to be a problem. Contacted Sony support and they told me yesterday that they were pulling the firmware for this and other undisclosed reasons. Yikes, I thought Sony QC was better and I should have known better than immediately updating!!!”

Sony finally give us an explanation…

“Sony has temporarily suspended the new firmware updates for PXW-FS5 and PXW-Z150 due to a minor issue found during testing within the HDR function in the Picture Profile menu. These will be fixed in a new firmware version, v4.01 for the PXW-FS5 and v2.01 for the PXW-Z150, which will be released in the coming weeks.

If the most recent firmware version has already been downloaded we advise to download v4.01 or v2.01 as soon as it becomes available. If there are any further questions please contact the Prime Support team on 00800 7898 7898 and they will be happy to answer your questions.”

For all your video production needs in Scotland, get in touch with Small Video Productions

HD Warrior Mobile friendly… again !

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Interestingly my blog was mobile friendly apart from the plugin at some point becoming de-activated, after an update and re-activated HD Warrior is now mobile friendly…again.

For all your video production needs in Scotland, get in touch with Small Video Productions

The first pictures of a working Panasonic EVA-1…Still no pricing ? UPDATED

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Interesting that this Panasonic EVA-1 is fully kitted with Zacuto gear, the lead coming from the back of the EVA-1 is in fact an SDI cable and not a power lead as 1st thought.

Still no pricing from Panasonic though Nigel Wilkes from Panasonic Broadcast UK has just tweeted this… “The final announcements about EVA1 will be released next week…’s coming!”

Filippo Chiesa and Takahiro Mitsui (King of EVA1) out doing some filming in Iceland with a working pre production EVA-1.

Interesting to also note them using a Canon DSLR rather than a Lumix GH5. This story also tells us that in order to use the EVA-1 for critical focus you need a 3rd party EVF.

Down at London interviewing Nigel Wilkes about the Panasonic DVX-200 in 2015

Update…New Tweet from Nigel Wilkes…”Crazy made up pricing for EVA1 being discussed on social media. Ignore it…and just wait until next week”

Yet WEX have the Panasonic EVA-1 priced at a ridiculous price of £8,999 and I bet they have not had one order at this made up price. Sorry Nigel you have yourselves to blame taking far too long to come up with a price for a camcorder that I have already blogged about costing no more than £5,499 incl vat you know the competition and how sluggish the market is so lets hope sense prevails.

For all your video production needs in Scotland, get in touch with Small Video Productions

XEffects 3D Video Walls $49 Launch Price, then ($99)

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XEffects 3D Video Walls allows you to build single, multiple or complex video walls in Final Cut Pro X. You control the number of panels, the shape, the depth and the material. Position the wall in 3D space adding a depth of field and choose a pre-programmed animation to fly the wall in and out.

Each plugin has been built as a title to avoid cumbersome drop zones for better speed, timing and easy tweaking. Audio also always stays in sync.

Use one of the 45 built-in templates, or build your own wall!

For all your video production needs in Scotland, get in touch with Small Video Productions

Lexar are shutting down

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Micron Technology today announced that it is discontinuing its Lexar® retail removable media storage business. The decision was made as part of the company’s ongoing efforts to focus on its increasing opportunities in higher value markets and channels.

The Lexar portfolio includes memory cards, USB flash drives, readers, and storage drives for retail and OEM customers.

Micron is exploring opportunities to sell all or part of the Lexar business.


The company will continue to provide support to existing customers through this transition period. Customers should contact their Lexar sales representative to discuss specific requirements.

I’d like to thank our team members and partners for their contributions to the Lexar business. As difficult as this decision is, the company is making this adjustment in its business to ensure it continues to be well-positioned for the future.

HDW : Sadly we have come to rely on Lexar 1000x as the leading manufacturer for use with our GH5s in 4K 50p and was the first card of choice. Long before the new v2 software appears for the 400Mbps upgrade to the GH5 we will lose the ability to purchase the only card on the market suitable to sustain its speeds the Lexar 2000x SDXC speed 10 U3 card. I know most GH5 users have come to rely on their Lexar media and will be a great loss.

What choice do we now have for the GH5 pre 400Mbps…

SANDISK EXTREME PRO SD UHS-II CARD 64G = £125  (Up to 95/90MB/s read/write speed)
Panasonic RP-SDUD64GAK UHS Speed Class 3 64Gb = £65  (Up to speed: Read (MB/s): 95 / Write (MB/s): 90)
DELKIN 128G UHS II V90 = £235 (Read 280MB/s Write 250MB/s)

While the Lexar 128G 2000x is £180 and the 128G 1000x is £90



For all your video production needs in Scotland, get in touch with Small Video Productions

Review of the Panasonic FZ2000

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Finally I have finished my review of the Panasonic FZ2000, I already own an FZ1000 so why buy the 2000.

I soon discovered with the FZ1000 that it was an exceptional HD video camera but with a lot missing. Panasonic took on board the criticisms of the 1000 and produced the FZ2000 with some surprises.

First surprise was the addition of ND filters which is a major bonus when filming at a shutter speed of a 50th.

Thankfully they also included the long overdue headphone socket, I do not like the micro HDMI socket so lets hope the FZ3000 includes a full size HDMI  the same as the GH5.The other major update was a properly positioned tripod screw hole, my FZ1000 has an adapter seen above, moving the screw hole to where it now is on the FZ2000.

The SD card slot was also in the battery compartments on the 1000 while its been moved to a more accessible place at the side of the camera.

Panasonic even added a new thumbwheel on top of the FZ1000 making manual adjustments a lot easier.

Thoughts for the FZ3000…4K 50p, 4K 25p 10 bit 422, FHD 10bit 422, full size HDMI socket, higher resolution EVF and dual card slots and the addition of the XLR unit as seen on the GH5.

For all your video production needs in Scotland, get in touch with Small Video Productions

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