We are now up to 50MP when this Canon 5Ds appears in the shops, quite stunning but for once no one is reporting video specs so I hope Canon are finally getting back to making good photographic tools, as there are far too many large sensor video cameras around now.

There is no headphone socket in this camera so its totally useless for serious video work…mind you it does sport time-lapse (TL) which is still the preferred tool for TL work.

• 50.6MP full frame CMOS sensor
• 5DS R has the low pass filter removed
• Magnesium Alloy Body
• Dust and weather sealed
• Dual DIGIC6 processor
• ISO Range of 100-6400
• 5FPS continuous shooting
• High precision 61-point AF
• EOS Itr AF
• “fine detail” added to the Picture Styles
• 1.3x and 1.6x crop shooting mode
• Customizable “Quick Control screen”
• Time-lapse movie
• Anti-flicker
• Interval Timer
• Bulb timer

This is why we are getting a £4760 drop in the price of the Canon 1Dc to £7240, though its still far too dear in my opinion.

For all your video production needs in Scotland, get in touch with Small Video Company Ltd

A great use of the remote arm-handle thats lost when mounting the FS7 on a tripod. I can’t use the remote arm in its default position when I put the FS7 on a Miller Compass 25 Tripod head.

The next best thing was to re-engineer the remote arm to fit the tripod handle bush, this works a treat.

You need to drill an 8mm hole because the Miller bolt is about 6.5mm. A lot bigger than the Sony thread, but now for the good news: the Sony thread does screw onto the Manfrotto 405HD without any re-engineering.

My brother in law has all the tools to hand and drilled the 8mm hole for me, you also need some spacers as the Miller bolt only screws a certain distance.

This works a treat and gives you all the functionality of the remote handle at your fingertips, you could add the original Miller arm to the other bush to the left of the tripod head but you will need to order a spare bolt from Miller.

This is a stroke of genius and will be an asset for filming interviews with the Sony FS7. Please note this is not an alternative to the pan handle I will re-attach mine as soon as Miller send me a replacement handle bolt on the left hand side.

For all your video production needs in Scotland, get in touch with Small Video Company Ltd

It’s a no brainer if you want top quality 4K and HD footage at a reasonable price there is only one camera on the market that ticks all the boxes…the Sony PXW-FS7. As you know I had a Canon C300 and I loved the pictures but 720 50P and off body XLRs were becoming very dated, not to mention 8bit technology. I would have lost a lot of value trying to sell a C300 once the Sony FS7 was announced. Once you see 10bit pictures you never go backwards.

I had my two GH4s for nine months, selling one for a Sony A7s a couple of months ago. My main reason for buying the Sony FS7 was the servo zoom lens. I still have my GH4/YAGH as it will make a great second camera.

As yet Sony can’t supply the 28-135 f4 lens but I needed a camera for more than one filming situation. Your footage becomes stilted using prime lenses all the time, they give you lovely footage and nice looking interviews but sometimes you need a creeping zoom thats not achievable with a DSLR.

The second reason is looks…yes, I am afraid we are in a “looks industry”. I have been filming all last year with two DSLRs and latterly a Sony PXW-X70. When you are filming an interview with two DSLRs to be quite frank there is no WOW factor, in fact it just looks like a photographic shoot, the end result…impressive, the look…not so impressive.

The final straw came just over a month ago when I was called by Channel 4 News to cover live inserts in George Square, Glasgow and the only camera up for the job was the Sony X70.

Everyone had Sony PMW-500s as you can see above, I felt very uneasy attending such a major news story with such a small camera. Don’t get me wrong the camera produced very comendable SD footage from the SDI socket into the satellite truck 50 meters up the road and Channel 4 were happy, but I decided there and then that was the last live news story the X70 was to be involved with.

I needed a camera that gives me many options plus a servo zoom but I was not going to buy into a Sony PXW-400, so the only solution was the Sony PXW-FS7.

The Sony FS7 gives you the best of both worlds. If you want to produce nice large sensor interviews or run and gun news stories the FS7 will do both, but with one caveat; most news organisations use SD video feeds into their satellite truck and the FS7 does not produce an SD signal from the SDI socket. I am hoping Sony can fix this via firmware as I would be reluctant to buy a mini  HDMI to SDI converter just to produce SD. You can produce SD from the HDMI but once again broadcast satellite trucks only handle BNC connectors via your SDI socket.

The great thing is the FS7 fits my prompter, which I was testing for its first shoot on Sunday for a new major client…now that looks impressive. Also found out that the XAVC-I mode:FULL HD 50P VBR, 185Mbps, MPEG-4 H.264/AVC is FCPX ready which is a major boost to me, this is the maximum HD 50p quality and it looks stunning.

For all your video production needs in Scotland, get in touch with Small Video Company Ltd

I think this is what Sony Z100 users are waiting for version 4 firmware upgrade which brings you…

1.) AVCHD Recording Mode.
2.) Formating “Memory Stick” media/SD card.
3.) Seamless playback

Link to software here…

https://www.sony.co.uk/pro/support/software/SET_BPE-SS-1139/20?log_success=true 

For all your video production needs in Scotland, get in touch with Small Video Company Ltd

Finally my very own Sony PXW-FS7 arrived this morning…Fantastic…its the first large sensor camera to tick all my boxes.

I will be getting the 28-135 servo lens sent up to me when it arrives and some 128G XQD cards. The camera is well made, very robust, as is the XQD media itself.

This is just a quick blog to whet your appetite but I have a string of blogs and a user review to produce but I won’t be doing the review till after BVE next month.

For all your video production needs in Scotland, get in touch with Small Video Company Ltd

From today you can now buy the Sony equivalent to the BP-U84 the DSM-U84 which is not only a better battery but costs a lot less than a Sony original.

Note : You must specify if you are using a Sony FS7 when purchasing these batteries as the older U84 won’t work.

The DSM U-84 battery is rated at 84Wh and is the same size as an original BPU-60 which is rated at 55Wh. But feedback from people using the battery, say it powers their camera longer than a Sony BP-U90 that is rated at 85Wh.

This is a new over night charger and takes about 9-10 hours to fully charge 2 DSM BPU-84 batteries.

DSM Batteries are fully guaranteed for 2 years

Pricing the DSM-U84 is £120 plus vat and the DSM-U60c dual battery charger is £39 plus vat.

The Sony original BP-U90 is £235 plus vat.

http://dsmpower.tv

For all your video production needs in Scotland, get in touch with Small Video Company Ltd

This 4K JVC camera looks to produce some cracking footage at £3500 its a snip for anyone entering the 4K market.

It also utilises the micro4/3 lens mount so you are not going to be short of lens choices plus MTF have an adapter for Nikon mount lenses plus Metabones  also produce a m4/3 speedster for Canon lenses.

• Newly developed 4K Super 35mm CMOS image sensor
• Micro Four Thirds System Lens Mount
• Variable Scan Mapping maintains native angle of view for a variety of lenses including Super 35, MFT and Super 16.
• Adapters available for PL and EF mount lenses
• 4K Ultra HD recording (150 Mbps, 24p/30p) to SDXC(UHS-I Speed class3) card
• 4:2:2 Full HD recording at 50Mbps (24p-60p)
• 3 position ND filter (1/4, 1/16 and 1/64)
• HD-SDI (3G) and HDMI outputs (4K output via HDMI only)
• 2-channel XLR audio inputs with phantom power
• Shotgun microphone included
• Dual SDHC/SDXC slots enable Dual, Backup and Continuous recording
• Advanced JVC streaming engine compatible with USTREAM, Zixi and Wowza Streaming Engine
• IP Network Remote Control, Remote Viewing, Metadata editing, FTP clips (requires appropriate network connection and adapter)
• 3.5-inch colour LCD display (920K pixel) with smart focus assist function
• 0.24-inch colour viewfinder (1.56M pixel) with smart focus assist function
• Wired remote control supported
• 10 user button assignable functions
• Includes handle unit, SSL-JVC50 7.4V battery, AC Adapter and shotgun microphone

For all your video production needs in Scotland, get in touch with Small Video Company Ltd

At £265 this digital wireless system is a snip RODE have set the bar even higher and they have cleverly integrated the antennas. I have just invested in a Sony Hybrid radio kit but you can be sure if this is as good as it sounds it will be part of my increasing RODE production kit as soon as it becomes available.

Update : I don’t understand why RODE have not included a 3.5mm to XLR cable with the new digital wireless system, it’s standard in every other radio mic kit.

• Series II, 2.4GHz digital transmission
• 128-bit encryption
• Up to 100 metres range
• OLED display (on receiver)
• One button pairing
• Three level gain control
• AA battery or USB powered
• Includes RØDE’s broadcast Lavalier microphone

RØDELink represents the next generation of digital wireless systems. Using a series II 2.4GHz digital transmission with 128-bit encryption, it is able to constantly monitor and hop between frequencies to maintain the strongest possible signal level at a range of up to 100 metres (over 100 yards). The RØDELink Filmmaker Kit provides everything you need to start shooting video wirelessly, including a receiver, transmitter and broadcast-grade lavalier microphone. The receiver (RX-CAM) features an OLED display with information on level, battery status (receiver and transmitter), mute and channel selection. The unit can be mounted on a standard camera shoe mount, 3/8″ thread or belt-clip, and for added versatility the shoe mount can be located in one of two positions. The lightweight transmitter (TX-BELT) can be fitted to a belt or clothing and features a locking thread to ensure the microphone connection is as secure as possible. RØDE’s omnidirectional Lavalier microphone is included in the kit to provide the highest possible audio reproduction quality.

For all your video production needs in Scotland, get in touch with Small Video Company Ltd

Having just received this FREE from Sony promotions for buying a Sony PXW-X70 I am assessing its picture quality over the GoPro 3 plus.

Firstly can I add that you have far more presets via the GoPro menu than you do over the Sony. The GoPro can be set for UK frame rates like 25p and 1080 50p while Sony have taken the lazy mans menu and made it US frame rates as default but thanks to my readers I have managed to worm my way through the menu system to change it to PAL, this can all be done on my iPhone via the GoPro !

I do like the monitor watch but you soon get to realise the iPhone is a far better viewing tool.

I think the GoPro 3 plus has many more advantages over the Sony not to mention the far more sophisticated menu system via your smart phone.

Even comparing the two cameras underwater housings the GoPro 3 plus is 40m while the Sony is only 16m. I do find that many cameramen/women become blinkered in the world of everything must come from the same manufacturer but there is no comparison between these two products the GoPro 3 plus is streets ahead.

For all your video production needs in Scotland, get in touch with Small Video Company Ltd

Kevin Cook “I’ve been shooting with the JVC GY-HM650 for over a year now and it’s become my go-to camera for many assignments. Being of handheld design, the camera is compact yet pro-feature rich, making it ideal for shooting conferences, newsgathering and any event where you need and all-in-one camera with professional connections and performance.

Since its launch the GY-HM650 has been an incredibly successful camera for JVC – a demonstration of which was its adoption by the BBC in 2013 when it purchased over 500 of them for newsgathering in the UK and overseas. But, as good as this camera is, there are still some applications where its handheld design makes it less than perfect. Whilst the camera is light and compact, the handheld design can be very tiring to use off-tripod for any length of time – which is true of any camera in this class.”

You can check out Kevin’s blog at http://video-artisan.com/video-production-blog/

Handheld Vs Shoulder-Mount Video Cameras from Kevin Cook on Vimeo.

For all your video production needs in Scotland, get in touch with Small Video Company Ltd