Behind the Scenes with a Hasselblad H60D

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© Salis Chong

Sometimes its all about the pictures and this in my opinion has some fantastic photography, well worth a watch.

For all your video production needs in Scotland, get in touch with Small Video Productions

Dell introduce a new 8K monitor at CES $5000

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Dell 8K monitor

Wow an 8K monitor, now that tells its own story about 2017. Looks like we are marching into 8K before 4K has been fully implemented. We have already seen cameras with 8K like this Canon camera. Dell just revealed a world’s first at CES: a 32-inch 8K monitor with 33.2MP worth of resolution and 100% coverage of both sRGB and AdobeRGB.

Cutting into an 8K picture on HD would be mind blowing, not to mention the digital zoom ratio you could achieve. The problem is affordability, we have already been told that Panasonic’s 8K timeline takes us to 2020, goodness knows how much an 8K GH8 will cost.

For all your video production needs in Scotland, get in touch with Small Video Productions

Panasonic update 4 lenses for video use

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12-35 f2.8

The Renewal of LUMIX G Lenses Offer Higher Performance and Image Quality

LUMIX G X VARIO 12-35mm / F2.8 II ASPH. / POWER O.I.S.(H-HSA12035)

LUMIX G X VARIO 12-35mm / F2.8 II ASPH. / POWER O.I.S.(H-HSA12035)

 

LUMIX G X VARIO 35-100mm / F2.8 II / POWER O.I.S.(H-HSA35100)

LUMIX G VARIO 45-200mm / F4.0-5.6 II

The LUMIX G VARIO 45-200mm / F4.0-5.6 II / POWER O.I.S. (H-FSA45200) and LUMIX G VARIO 100-300mm / F4.0-5.6 II / POWER O.I.S. (H-FSA100300) boast dust/splash-proof durability. A total of nine lenses in the full LUMIX G lens lineup now feature a rugged design to withstand use under harsh conditions.

LUMIX G VARIO 100-300mm / F4.0-5.6 II


LUMIX G VARIO 100-300mm / F4.0-5.6 II / POWER O.I.S. (H-FSA100300)

Panasonic is renewing four LUMIX G digital interchangeable lenses to gain higher performance and mobility: the LUMIX G X VARIO 12-35mm / F2.8 II ASPH. / POWER O.I.S. (H-HSA12035), LUMIX G X VARIO 35-100mm / F2.8 II / POWER O.I.S. (H-HSA35100), LUMIX G VARIO 45-200mm / F4.0-5.6 II / POWER O.I.S. (H-FSA45200) and LUMIX G VARIO 100-300mm / F4.0-5.6 II / POWER O.I.S. (H-FSA100300).

All of these new lenses comply with the advanced functions of the latest LUMIX G digital cameras.

In addition to the POWER O.I.S. (Optical Image Stabilizer) in each lens, they work with Dual I.S. (Image Stabilizer)5-axis Dual I.S, and 5-axis Dual I.S.2 system when mounted on an applicable Panasonic LUMIX GH5 camera.

Notably, the new lenses excel in video recording performance. In addition to the silent operation achieved by the inner focus drive system, the micro-step drive system in the aperture control section helps the camera to smoothly capture the brightness changes when zooming or panning. The AF tracking performance when zooming is also improved thanks to high-speed frame analysis for focus control.

These lenses are designed to match LUMIX G DSLM cameras like the new GH5.

For all your video production needs in Scotland, get in touch with Small Video Productions

New Panasonic 12-60mm f2.8-f4 Leica lens (Late March $999)

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12-60mm f2.8-f4


The first of a new breed of lenses from Panasonic. The Leica DG Vario-Elmarit 12-60mm F2.8-4 lens was first shown at Photokina 2016, and has made its official debut at CES 2017. The first of the Leica DG Vario-Elmarit F2.8-4 series to reach market, this premium lens is equivalent to 24-120mm (35mm) on a Micro Four Thirds cameras and supports Panasonic’s Dual IS system for enhanced shake reduction on compatible bodies.

12-60mm f2.8-f4

Panasonic is proud to introduce a new standard zoom digital interchangeable lens, the LEICA DG VARIO-ELMARIT 12-60mm / F2.8-4.0 ASPH. / POWER O.I.S. (35mm camera equivalent: 24-120mm) as the first lens to be introduced from its LEICA DG VARIO-ELMARIT F2.8-4.0 Series.

Covering a focusing distance from ultra-wide angle to super telephoto, this new LEICA DG VARIO-ELMARIT F2.8-4.0 Series achieves exceptionally high descriptiveness for both photo and video recording, and yet its size is kept compact. All of the lenses in this series feature a 9-blade diaphragm to give the aperture a rounded shape that produces an attractively smooth effect in out-of-focus areas when shooting at larger aperture settings. All lenses also take advantage of Panasonic’s Nano Surface Coating technology to minimize ghosts and flaring. They boast a rugged, dust/splash-proof design and are even freeze-proof down to -10℃ to withstand professional use under harsh conditions. The high-quality video recording capability is also one of the advantages of this lens series.

The new LEICA DG VARIO-ELMARIT 12-60mm / F2.8-4.0 ASPH. / POWER O.I.S. offers a versatile 5x zoom range of 24-120mm. It fully covers a variety of daily shooting situations, from dynamic landscapes to portraits even in low-lit situations, providing a beautiful defocus effect by taking advantage of the F2.8-4.0 high-speed performance.

This will be a perfect partner for the new GH5 and finally a good standard lens equivalent to a 24-120mm (35mm).

 

For all your video production needs in Scotland, get in touch with Small Video Productions

Lumix GH5 footage

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Lumix GH5

After the dust has settled lets take a look at early footage shot with the new Lumix GH5.



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EXCLUSIVE “The LUMIX GH5…Everything You Need To Know For Video” £1699 body only

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gh5-pic-title

Its been a long time coming but the new GH5 will be available at the end of  March 2017, this really is a killer 10bit 422 DSLM with 4K 50p and no more 29minute record restrictions. The good news is it still takes the same batteries as the GH4.

Full size HDMI socket…………..Credit Brendan Nystedt

The new Lumix GH5 which is 10% bigger as we now have a dual SD card slot and a full size HDMI socket, I shook Mr Uematsu’s hand when I found out about the full size HDMI socket for monitoring and outputting to an external recorder the full size HDMI is long overdue.

richard-and-me

Me with Richard Payne from Holdan

December 13th 2016…Tuesday morning at 10am the first person I bump into at Panasonic’s headquarters in Bracknell was Richard Payne, Head of Technology at Holdan. We all sign a Non Disclosure Agreement (NDA) which means I can’t tell anyone about this meeting till today.

players

Left to Right…Barnaby Sykes (Panasonic UK), James Miller (Shooter), Mr Michihharu Uematsu (Panasonic Japan), David Shapton (Red Shark), Helen Wilson (Panasonic Press office)

We met a few big players from Panasonic, Barnaby Sykes, Head of Imaging Marketing and Mr Michiharu Uematsu, Adviser for Technical PR from Japan.

I had a play with the new joystick and it makes a lot of sense when you are hunting through the menus.

gh5-new-for-video

Here is the list of new features for video filming…

  1. The GH5 will record 4K 50p at 400mbps in a firmware update in the summer.
  2. 1920 x 1080 50p is 10bit 422
  3. A new high resolution viewfinder 3680 k-dot OLED (2360 GH4)
  4. Full size HDMI socket plus cable lock holder (included)
  5. 5 Axis stabilisation with certain lenses.
  6. Records continually (No more 29m restriction)
  7. V-Log and LUT display available as a paid firmware upgrade
  8. Live output via the HDMI socket (i.e. Your LCD screen won’t go black as it does in the GH4) and internal recording at the same time
  9. Better tracking via a new AF system…225 focusing points
  10. Two SD card slots capable of relay recording or back up onto 2 cards at the same time.
  11. Same battery as the GH4
  12. A new top mounted XLR unit costing £350
  13. Customisable AF (4 sets)
  14. New joystick control added on the back of the GH5
  15. Wave Form monitor has been added
  16. Luminance level for 10bit has been added
  17. Slow motion at 25p up to 180fps
  18. Autofocus Transition has been added (Pull focus)
  19. 4K Video in 4:3 Aspect has been added for shooting with anamorphic lenses.
  20. Hybrid LOG Gamma will be added in summer 2017 (FW update) for 4K HDR footage.
  21. 709 Like & Knee control suppress overexposure by high luminance video signals
  22. Summer 2017 brings a firmware update giving you 4K 4:2:2 10bit at 400Mbps
  23. Higher ISO up to 6400 ISO…a lot cleaner than the GH4
  24. 4:2:2 10bit output & internal recording

gh5-for-fw-tl

April 2017 (NAB) FHD 4:2:2

Summer 2017 (June-July) …4K 4:2:2 10bit ALL-Intra…  FHD 4:2:2 10bit ALL-Intra…  High-resolution Anamorphic Video Mode…  Hybrid Log Gamma for 4K HDR Video

lens-guidev2

The firmware (FW) update assumes the FW will be available from today.

gh5-for-venus-v4

Venus Engine improvements achieve “Natural Texture Expression“, Improved Resolution, Multipixel luminance generation and intelligent detail processing realize natural, high-resolution expression and improve color moiré suppression.

Rich Color Expression, three-dimensional color control improves color reproduction of bright and shadow areas, natural and True-to-life Image Natural image from low to high sensitivity.

1.3 times faster processing by 5 Core Codecs realizes and no cropping 4K 60p/50p video and 30fps 6K PHOTO (HEVC / H.265).

rear-v2

A first in the field of hi resolution view finders an amazing 3680k-dot OLED colour VF with 0.76x magnification just when you thought your GH4 viewfinder was good.

xlr-gh5-v2

xlr-proof

Sadly the GH5 XLR unit for the GH5 won’t work on the GH4, I asked this very question to Mr Uematsu the engineer from Japan. While we are at it the YAGH for those hanging onto them won’t fit on the newer GH5 as its 10% bigger to accommodate the dual card slots and the full size HDMI socket.

I am a big fan of the micro four thirds system which is why I already have a GH5 body on order. I love all the new features especially the sharper viewfinder, dual card slots, full size HDMI its a camera that keeps on giving to quote Richard Payne. 422 10bit is major for me as well as 4K 50p, not to mention 180fps slow motion in full HD and lastly the £350 professional XLR unit.

Richard Photobombing

This will vastly improve any video production worthy of 4K or HD and I look forward to producing an in-depth user review of the GH5. I must thank Richard Payne for getting me an invite to this meeting at Panasonic HQ as it was well worth the 800 miles of drive from Glasgow to Bracknell and back again.

Here is a video I produced at the meeting…

For all your video production needs in Scotland, get in touch with Small Video Productions

Teaser…Big announcement tonight on HD Warrior (Time 18:45)

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For all your video production needs in Scotland, get in touch with Small Video Productions

Apple G5 late 2008 running FCPX and Sierra with no problems

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Just goes to show you how people experiment with older…redundant equipment like a late Apple G5 and get not only Sierra 10.12.2 to work against all odds and with the addition of a second hand GTX680 graphics board and a slot in Black Magic video I/O card.

We are made to believe by Apple that FCPX 10.3 won’t work with certain recent MacBook Pros but my friend Norrie has the proof that there is a fair bit of kiddology when it comes to what certain hardware, Apple software works with.

He knew that his G5 as it stood would not work with FCPX so he changed the graphics board for a 2nd hand GTX-680 and downloaded a copy of Sierra 10.12.2, to his amazement it all worked fine apart from his WiFi board which he retcons he could update for a few pounds but as he never uses WiFi it was pointless.

E-Sata works a treat as does USB-3 on a slot in board but the main finding are how it compares with his MacPro.

Apart from HDMI out and Thunderbolt there seems to be little in it and Norrie should know he has been building and repairing all sorts of video computers for over 15 years now. He was astounded by his findings and proves one thing you can’t always take what Apple say as RED.

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