Many of us have been editing with FCP for a few years now and were exited when Apple finally decided to re-write FCP from the ground up finally giving us a 64bit architecture, FCP only works on the Apple Mac so if you are intrenched as most of us are in the Mac platform the alternatives are AVID and Adobe’s Premiere Pro.
Sadly, Final Cut Pro has been haemorrhaging professional customers to AVID and Adobe since the introduction of FCP-10. Walter Murch reckons he has finally reached the end of the road with FCP, Vincent Laforet a big player in the USA is now editing on Premiere Pro, our good friend Alister Chapman from XDCAM USER has written this blog recently…
Alister “Well I’ve been deliberating, experimenting and talking to other editors over which NLE to adopt following the launch of FCP-X. I’ve played with Adobe Premiere Pro CS5.5 which is really easy to transition to from FCP as it has a similar interface and editing style. I’ve experimented with FCP-X, which is very fast but has so many missing features and forces you to work in ways I don’t always like and I’ve even considered ditching my Mac’s and getting PC’s to run Edius or Vegas. Vegas is very powerful but has a quirky interface, while I hear nothing but good things about Edius, I guess I’m just not ready to ditch my Mac’s just yet. So that leaves Avid Media Composer.
For a long time my biggest issue with Avid has been the inability to use 3rd party IO devices like low cost Blackmagic or AJA HDSDi cards. But that’s all started to change. The current version of Media Composer (5.5) will allow you to use a Matrox MXO or AJA IO Express. So now you can easily connect to the external world from your Avid edit suite. A few days ago Avid announced that they will soon be releasing Media Composer 6 which is to be a very significant update.
MC 6 will make it much easier for 3rd party IO manufactures to produce cards that will work with Avid. It will also work natively with Apple ProRes, so all my old ProRes files from my FCP projects will go straight in to Avid. In addition Avid are introducing a 444 version of their DNxHD codec, so this will be a good match for my F3 and S-Log. Avid also supports 3D editing and now comes with a comprehensive set of production tools including Boris Continuum, Boris Effects, SonicFire Smartsound, Sorenson Squeeze and Sonic Avid DVD (PC Only). Media Composer 6 is also a 64bit application show should run nice and quick.
It’s been a while since I used Avid on a day to day basis so I will have a bit of learning to do, but it’s reassuring to know that Avid are specialists in NLE software, so it will work and will do what an editor wants. So with the software chosen now all I need to do is work out which external IO to get. As my Mac’s have Thunderbolt, the Matrox MXO boxes make an interesting and low cost option.”
Apple have made a fundamental mistake bringing FCPX onto a mature professional marketplace by re-writing and changing the game plan way beyond what many of us would accept. If you had tinkered with iMovie then you were almost there, it was a very bad miscalculation by Apple to assume everyone was now solid state and and even worse to assume we were past outputting to DVD let alone Blu-ray.
I cannot recommend FCP-10 as a professional platform as it’s fundamentally flawed by not having a bolt on DVD authoring program let alone no way of previewing your output to a professional monitor.
Preview and multicam are being added to FCPX as I write but I think it’s now too late for Apple to play catch up over AVID and Adobe and if you need a suite that gives you editing and DVD authoring all on the same platform then look no further than Adobe’s Premiere Pro for Mac or PC.
AVID in my opinion could have cornered the market if they had brought out Media Composer 6 at around £800 but at £1749 the full retail price and not having a DVD authoring program dedicated to the Mac platform it’s a price many of us are not willing to pay.
Pulitzer prize winning photographer, turned HDSLR Filmmaker Vincent Laforet, created a new hour long tutorial detailing his complete Abobe Premiere workflow. The informative video is especially useful for those disgruntled Final Cut pro X users who are thinking about making the switch to Premiere Pro.
The important point some people are missing is that Final Cut Pro had built up a large professional following quite a few crossing over from AVID and without doubt it was the number one editing platform, many of us are still cutting on FCP-7 and in my opinion the only company listening to the needs of professionals is Adobe…they at least not only came back to the Mac platform but gave us a 64bit version without changing the program itself…something Apple should have taken on board.
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